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Ros an Mhíl no. 3 Limited Edition of 35 on Archival Paper Photograph

Padraic Reaney

Ireland

Photography, C-type on Paper

Size: 16.5 W x 11.7 H x 1 D in

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About The Artwork

Ros an Mhíl 1979 – 1983 Limited edition of 35 on Archival paper Back in 1975 I was a student in an Art course in the RTC, Galway. Every time I passed through Ros an Mhíl on the bus from Galway to Carraroe, I became more and more interested in the old thatched houses in Ros an Mhíl, and I realised that they would soon be gone. I thought it would be possible to do a series of drawings of the old houses and to make etching plates from them. My idea was to record the houses, as they were at the time in various states of decay, as accurately and in as much detail as possible. But due to the cost of etching plates and paper for such a project it had to be put on hold. Then in 1979 a friend of mine, another artist, Eamonn Keane , told me about a special award in memory of Pádraic Mac Con Mhidhe that the Oireachtas was giving for just such a project. I entered a portfolio of graphics and a project to do 20 etching plates of the old houses. I was very pleased when I won the prize because the money I received meant I could purchase the equipment and spend time on the project. When I was doing the drawings for the project, it occurred to me that it would be a good idea to photograph the houses as well, and out of the prize money I bought a camera to do so. It was with this camera that these photographs were taken. I knew little about photography at the time, but I did manage to take one hundred and forty-nine shots in black and white of the houses. These negatives were never printed until the idea of doing this show came to me almost thirty years after they were taken. It is from these negatives that the selected prints in the exhibition were made.

Details & Dimensions

Photography:C-type on Paper

Artist Produced Limited Edition of:1

Size:16.5 W x 11.7 H x 1 D in

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Pádraic Reaney was born in Carraroe, Co. Galway in 1952. He studied Fine Art at Galway, Regional Technical College encouraged by the well-known sculptor Oisín Kelly and has been a full-time artist since leaving college. He painted for several years in Galway; later he built a studio in Moycullen, where he now lives and works. He has exhibited extensively in Ireland, Scotland and Wales and his work is in public and private collections in Ireland as well as in Europe, Canada, USA, Brazil, Japan, South Africa and Australia. His work is held in collections such as the Modern Irish Art Collection; Dublin Writers Museum, Ireland; Irish Embassy, London; Ireland’s Great Hunger Museum, Quinnipiac University, USA; Siena Art Institute, Italy; Urawa Wood-Cut Prints Association, Japan. International Reputation Reaney’s international reputation has grown over the years, and in particular his work on The Táin and his interpretation of the legacy of An Gorta Mór/The Great Irish Famine have won him wide critical acclaim as a key figure in contemporary Irish visual arts. He represented Ireland in the XVIth Grand Prix International d'Arts Contemporain de Monte Carlo in 1982. A film was made of one of his exhibitions based on The Táin, which was R.T.É.’s entry in the Pan Celtic International Film Festival for 1988 - it was one of the three top films in the festival. In 1996 he was invited to Scotland by the North Ayrshire Council to undertake a series of exhibitions on the Isles and the West Coast of Scotland. Work in Ireland A founder member of Western Artists, Island Connection, and Drimcong Press (with Brian Bourke and Jay Murphy), Reaney was awarded the Pádraic Mac Con Midhe Prize at the Oireachtas in 1979 to make a series of etchings recording the rapidly disappearing thatched houses in Ros an Mhíl, Connemara. He later exhibited a series of photographs based on this work of the ruined cottages in Ros an Mhíl (1979-1983) at the Galway City Museum, July-October 2008. Reaney was appointed to the Board of Directors of the Galway Arts Centre in 1996 and served on the Board until 1999. Reaney was commissioned to design the Liam Ó Flaherty Commemorative Garden on Inishmore, Aran and to create a piece of bronze sculpture for the garden which was unveiled by Minister Eamon Ó Cuív when the garden was officially opened. Also in 2006, Reaney curated the successful Project 06 Exhibition, The Irish Eye in the Kenny Gallery.

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