view additional image 1
View in a Room ArtworkView in a Room Background
118 Views
0

VIEW IN MY ROOM

Ruin, as a continuing story - Limited Edition of 1 Photograph

Leonne Hendriksen

Netherlands

Photography, Environmental on Paper

Size: 31.5 W x 23.6 H x 0 D in

Ships in a Tube

info-circle
This artwork is not for sale.
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
118 Views
0

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

1986 Ruin, as a continuing story (Art in situ) Amsterdam has an exceptional building scheme, not only for the Netherlands but for Europe. It is built on water, like Venice, and you can find many ruins. The "LAB Foundation" (Leonne And Borek), founded by Borek Sipek and me choose such a ruined house with a stair going into the channel in front of the Central Railway station in Amsterdam. It was transformed six times by artists of different disciplines. The result of their interventions was visible only from outside. The basic thought of the process was; dealing with historic background, using art as means of interpretation of different ideas and insights of artists. The purpose was also to bring art within daily attention of all citizens. My part of the project was to transform a dead object into a magic object. My concept was to spin a web as a new skin around the carcass of the ruin. I did this performance in four weeks until the house nearly disappeared. I choose a material that is called "webbing agent" a co-polymer of PVC and two trucks of poplar, cut in the park in springtime.

Details & Dimensions

Photography:Environmental on Paper

Original:One-of-a-kind Artwork

Size:31.5 W x 23.6 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1949 San Sebastian, Spain, lives in Netherlands and France - Large Conceptual Installations - New projects each year - Light & heavy materials - Unconventional techniques developing works passing over the borders of sculpture and painting - Project books with special layouts - Active in many countries. My esthetic standpoint is based on the duality between life and death. Therefore in each of my projects I choose materials out of two types, either light translucent or heavy opaque ones. Among the first ones are light textile materials, as gauze, rice paper, tracing paper, organza, the second type includes lead, sea salt, wood, charcoal, porcelain and stone. I have developed my projects in the numerous places where I lived; they reflect my nourishment with the local cultures as well as the spiritual significance of the installation site. Six or seven process steps make up every project: from identifying the concept and suitable installations spaces, through the transformation of poor materials into poetic objects, to the final design and the production of books about the realization of the art work. Collections: National Textile Museum, Tilburg, The Netherlands The National Museum of Modern Art, Kyoto, Japan Prize: Ceramic Biennale Korea , Bronze prize 2005

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support