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Saturday in Paris taken during an antivax march near the Republic. I have always been fascinated by the gendarmes, and their outfits and usually they strike terror in the heart at most demos. This one though was quiet, and at last I was able to take a photo without the fear . In this digital creation, I sought to capture a moment that exudes the bustling vitality of urban life. The monochromatic palette emphasizes the diverse rhythms of city dwellers in motion, contrasting with the stillness of an individual, who appears absorbed in a world of their own. My intention was to evoke the solitary amidst the multitude, highlighting the individual stories within the collective narrative of city life. This piece is meant to bring a reflective energy into any space, inviting viewers to ponder their own place in the flow of humanity. This limited edition in black and white print will be printed on photo paper .The dimensions refer to the actual image size, the final print is slightly larger, allowing for a white border on all 4 sides, and a signature bottom right and an edition number bottom left. All prints are issued with a certificate of Authenticity.
2021
Digital on Paper
20
15 W x 12 H x 1 D in
Not Framed
Not applicable
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. My recent paintings and photographs of Parisian, Veinnese and New York everyday life are inspired by the many summers and winters we have lived in the cities. I truly believe thet art is the highest form of hope. Jo Tuck's works are in private collections around the world and regularly participates in shows in New York, Caelum Gallery, and London. , including Christie's Cancer benefit show and the RA Summer shows Her background is film editing until she became a full-time painter and photographer. While she was at college she made two 16mm short films, one on the Australian Aboriginal Women and another on Sheep farming in Wales. After film editing for the BBC and feature films I took up painting and photography full time. My photojournalism is inspired by Henri Cartier-Bresson, Walker Evans, Eugene Atget, and Robert Frank .
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