VIEW IN MY ROOM
School Days 4 - Limited Edition of 20 Photograph
United States
Photography, Color on Paper
Size: 20 W x 30 H x 0.1 D in
Ships in a Tube
About The Artwork
Fathers and sons have unique relationships. And in this case it was shown to the world though dress. These two both had dark shorts, light shirt and sandals on. However they didn't seem to understand just how much they looked alike. Both were curious and stared at me while I was on assignment working as a photojournalist. The bemusement and haircut on the boy's face is a perfect duplication of his father's. I took the original source image and remade it by hand drawing, scratching, painting and distressing it to make this print. --- Los padres y los hijos tienen relaciones únicas. Y en este caso se mostró al mundo a través del vestido. Ambos llevaban pantalones cortos oscuros, camisa clara y sandalias. Sin embargo, no parecían entender cuánto se parecían. Ambos sentían curiosidad y me miraban fijamente mientras trabajaba como fotoperiodista. El desconcierto y el corte de pelo en el rostro del niño es una réplica perfecta del de su padre. Creé esta impresión hecha a mano de edición limitada tomando la foto original y reinventándolo mediante un proceso de dibujo, rayado, pintura y desmejoramiento.
Details & Dimensions
Photography:Color on Paper
Artist Produced Limited Edition of:20
Size:20 W x 30 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Hello, my name is Matthew Bowler. This is where I toot my own horn, so here goes. I am an Emmy award winning journalist in San Diego, California. I come from a long line of journalists but I do not have traditional broadcast beginnings. In college I studied art with a specialty in painting and printmaking. In my last year of college I got married and a year later moved to the South of France. While there, I participated in art exhibitions and was even written about in “La Marseillaise” weekly newspaper, in which they called my alternative process photography “les oeuvres impossible”, or “the impossible works”. After my year in Provence, I returned to San Diego and began to work as a freelance photographer. At that time most of my work was editorial photojournalism for newspapers and magazines. Some years later I transitioned into television news where I started as a video editor. I soon began working as a videographer. But I never lost my love for still photography.
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