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Secropolis № 2 Photograph

Artoldo Collective

Italy

Photography, Digital on Other

Size: 101.6 W x 57.1 H x 0.1 D cm

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Original Source file for print is a 31,6 MB .tif (3840x2160 px / 96 dpi / 32bit) The Full-Screen Preview will show you a reduced low-res file in order to protect the original high-res file. --- The Etruscans divided their worldview into four parts (North, South, East and West), connected by an in...

Year Created:

2020

Subject:
Mediums:

Photography, Digital on Other

Rarity:

One-of-a-kind Artwork

Size:

101.6 W x 57.1 H x 0.1 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Need more information?

Need more information?

ARTOLDO is a creative collective featuring the New Media Artists Sara Ferro and Chris Weil. Members of the Etherea Art Gallery. Sara Ferro (Milan, 1977) and Chris Weil (Bad Nauheim, 1988) form together the international duo ARTOLDO. She, a media sociologist, he, a film editing specialist, both Genoese by adoption. Since 2015 they are creating invariably throughout four-handed as a collective, micro, short, medium and feature-length films with exploratory outlook, experimental look and cineastic frown, dealing at 360 ° in “primae personae” with everything related to their moving images and video art, from direction to shooting, from editing to the soundscape, from conception to installation, from enlightenment to lighting staging, always with the pleasure of investigating and inquiring controversial realms. The messages sent out through their works deliberately have a tone between the semi-serious and the vaporous, to conceal the vitriol of an invective that they instead prearranged to arouse in a subconsciously, by virtue of a digital transformation of the grumbling into an accelerationist incipit. To this end, they undertake forays into synthetic worlds and the less visible new media territories, where they can imagine the means to cross new frontiers.

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