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Traditional Black & White silver gelatin fine art photography
Handcrafted in my Darkroom

Archiving method
Selenium neutral toned silver gelatin fibre print
Stamp on front and certificate of authencity.

Paper: Ilford Multigrade FB Classic (Glossy). Fibre Base and white base tint.

Size:
Paper: 20x30 cm.
Image: +/- 18x26 cm.

Delivered with a white window mat (40 x 50 cm) & the mat board.
Traditional Black & White silver gelatin fine art photography
Handcrafted in my Darkroom

Archiving method
Selenium neutral toned silver gelatin fibre print
Stamp on front and certificate of authencity.

Paper: Ilford Multigrade FB Classic (Glossy). Fibre Base and white base tint.

Size:
Paper: 20x30 cm.
Image: +/- 18x26 cm.

Delivered with a white window mat (40 x 50 cm) & the mat board.
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Spiaggia di Palau Vecchio - Limited Edition of 20
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Spiaggia di Palau Vecchio - Limited Edition of 20 Photograph

Jean-Marc ''MM'' De Coninck

Belgium

Photography

Size: 11.8 W x 7.9 H x 0 D in

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About The Artwork

Traditional Black & White silver gelatin fine art photography Handcrafted in my Darkroom Archiving method Selenium neutral toned silver gelatin fibre print Stamp on front and certificate of authencity. Paper: Ilford Multigrade FB Classic (Glossy). Fibre Base and white base tint. Size: Paper: 20x30 cm. Image: +/- 18x26 cm. Delivered with a white window mat (40 x 50 cm) & the mat board.

Details & Dimensions

Photography Print:Black & White on Paper

Artist Produced Limited Edition of:20

Size:11.8 W x 7.9 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born on a sunny day in 1965 in Brussels, Belgium.Graduate in Photography. INRACI, Brussels, 1988. Free-lance photographer. Exhibitions: FotoMuseum Antwerpen, Museo de San Francisco - Granada - Nicaragua...Teacher.From "It is the shadow that welcomes the light", Heriberto Lopez, Colombian writer"In photography, the obvious is the link between the substance of the models and the abstract of the shooting. One can say that subjectivity lies on the back of these two elements. De Coninck starts from that form of distance from the object in order to catch the pleats created by the shadow in the light that emanates from things and bodies.He invites us to take a look at what is considered to be beautiful, like a transfer or a sign on the surface of real things""We are used to the filters operated by the language of the photographic art, we know the importance of contrast against the domination of brightness, we know what transfigures. Before taking a picture, De Coninck develops a concept about the imagination of the lanscape. He moulds his thoughts in order to turn over the model as to give, before shooting, its true quality of object as defined by light, he defines what is needed to be seen"

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