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TANGENCIAL Photograph - Limited Edition of 20

Sergio Bretel

Bolivia

Photography, Black & White on Paper

Size: 27.6 W x 27.6 H x 0.1 D in

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467 Views
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About The Artwork

From Serie: Ritmo y Repeticion Series of black and white square format photographs, intended to show rhythm and repetition as a ordering principle in architecture and abstracting the concept to its quality of architecture. For this, photographs of equal sides (square) are used with in order to avoid reference to a horizon or land and the use of black and white in order to abstract the reference to the construction material. Rhythm and Repetition as an Ordering Principle. Serie de fotografías de formato cuadrado a blanco y negro, destinada a mostrar el ritmo y la repetición como un principio ordenador en la arquitectura y abstrayendo el concepto a su cualidad de arquitectura. Para ello se utiliza fotografías de lados iguales (cuadradas) con el fin de evitar la referencia a un horizonte o tierra y el uso del blanco y negro con el fin de abstraer la referencia al material constructivo. El Ritmo y la Repetición como Principio Ordenador.

Details & Dimensions

Photography:Black & White on Paper

Artist Produced Limited Edition of:20

Size:27.6 W x 27.6 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

ARCHITECT - PHOTOGRAPHER Sergio Bretel Born in Lima Peru in 1977 His artistic and photographic approach explores the space of the visible, the invisible and the intrinsic, of traces and signs, of presences and above all absences through new forms of visual narratives exploring the conceptual limits between contemporary art and photography, following a constant multidisciplinary experimentation, using photography as a means and as an aim. His work is exploratory and conceptual, using abstraction as an intrinsic language, in search of a reflection from the way of looking, permanence and reality. Investigating from myths and traditions to the contemporary context, He is interested in the language of the image, human habits and objects as a means of approach and reflection regarding their presence, their incidence and their memory.

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