306 Views
4
View In My Room
Photography, Color on Paper
Size: 30 W x 20 H x 0.1 D in
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306 Views
4
Artist featured in a collection
Inspired by the poem cycle 'Les Fenêtres', by Rainer Maria Rilke. This barred window is part of a Bridewell, or House Of Correction, built in 1787 on the site of an old Leper Hospital, to incarcerate petty criminals. This Bridewell, in Norfolk, has remained almost untouched since its closure in 1861, the dim interior and sinister atmosphere powerfully suggestive of its dark history. Shot on 35mm film in the summer of 2016 The edition size is 7. Archival C-Type print with a wide border for mounting/framing. Signed and numbered on the front in the border, and coming with a certificate of authenticity. Sold unmounted/unframed. Please get in touch if you wish to discuss mounting and framing options. Also available as a 24x16 inch print from an edition of 10, and a 45x30 inch print from an edition of 3. Please contact me for pricing and availability of these. Unmounted C-Type prints are produced using a traditional photochemical process, with true photographic paper exposed from the digital scan and then developed. The gallery-quality archival paper used is selected as appropriate to the particular photograph from papers manufactured by Fuji, Kodak and Ilford. All prints come with a wide border for easy mounting and framing. Additional images simulated and for illustration purposes only.
2016
Color on Paper
1
30 W x 20 H x 0.1 D in
Not Framed
Not applicable
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Justice Hyde is an emerging photographic artist based in North West England. Largely self-taught, his work incorporates multiple strands: explorations of mortality through abstracted images of deteriorated surfaces both natural and man-made; themes of psychogeography, resonance and dissonance in the urban, suburban and rural landscape; and examinations of sexuality, identity and self-actualisation amid the fluid moralities and new paradigms of the data age. The strands are unified by an interest in the convergence, divergence and intersection of perception and reality. Having begun in photography by using, developing and printing black and white film, he moved to digital processes, but since 2014 has increasingly returned to analogue photography, with 35mm, medium format and Polaroid film now central to his practice, alongside DSLR and even smartphone cameras. In most cases little or no post-processing is used. This diverse approach and discipline ensure that the image never becomes secondary to the tool or technique.
Artist featured by Saatchi Art in a collection
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