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View In My Room
Photography, Giclée on Paper
Size: 41.1 W x 30 H x 0.1 D in
Ships in a Tube
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Reinterpreting the landscape as a stage for mysterious incidents combining elements from dreams, nightmares and occasionally true stories Occupying a space between reality and fiction Toby de Silva’s Nemesis project searches out mysterious locations reimagining them as places of curiosity, fear and tension that suggests a fantasy shadow world Referencing the dreamlike sensations that permeate works by Bosch and Bruegel and the imaginations of Arthur Tress, Duane Michals and Joel Peter Witkin, de Silva’s sets out with intentions of illustrating the uncanny by proposing inexplicable events and alternate geographies. The familiar and the serene are scarred with what Barthes described as Punctom, disrupting the sanctity of the image and questioning its intentions. As Jeff Wall recounts events and Gregory Crewdson finds unease in the sanctuary of suburbia, de Silva employs allegory and metaphor alongside anxieties like solitude, incapacity, blindness, fire, death and monsters to reinterpret his surroundings The images are constructed by revisiting scenes of intrigue during the desolate early hours, taking multiple images which are then combined to produce one perfect large format background image. Later returning to the scene with the various actors and props to add in the choreographed tableau elements that explore the themes prevalent throughout his work like dread, mortality and increasingly, the uncanny to complete the story whilst simultaneously leaving opportunities for the viewer to assume their own narrative
2021
Giclée on Paper
5
41.1 W x 30 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
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United Kingdom.
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United Kingdom
Toby de Silva is a contemporary British artist who creates large scale photographs that investigate the interplay between perceived reality and the uncanny. Inspired by artists and writers who draw predominantly on the imagination de Silva constructs images that question our relationship with mortality and fantasy. His work has evolved from documenting the extraordinary to reconstructing it and always starts with a compulsion to explore something mysterious. Subjects have included locations associated with hauntings, sites of unsolved murders and houses that appeared in classic horror movies. His first major work was ‘The Perfect Place to Die’ a two year survey of Japan’s infamous Aokigahara ‘suicide forest’. More recently de Silva has focussed on re-purposing the landscape to suggest alternate realism, often inserting artificial elements or staging events that feature fictitious narratives meticulously assembled to create fantasies invoking mystery and tension. Currently based in Asia, de Silva studied at Falmouth University followed by an MA in Photographic Studies at the University of Westminster.
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