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UNC #06 (giclée archival & signed - edition of 7) Photograph

Marco Ristuccia

Germany

Photography, Paint on Canvas

Size: 23.6 W x 23.6 H x 0.8 D in

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About The Artwork

From the project "ONE, NO ONE AND ONE HUNDRED THOUSAND" A research on the essence of life which is inspired by the organism ‘Tree’, observed both as a single and as a representative of an entire species. The visual fusion of individuals, through superimposition, reinforces the universal and fades out the particular, leading us to a higher level of thought. The eternal value of mortal life lies in repetition of individual’s uniqueness, which let alone would have no hope. We are all “one, no one and one hundred thousand”. TECHNIQUE: The project was realized along the Po river valley, in northern Italy. Each final print is composed by tens of single shots. I have deliberately chosen the soft light and pastel colors, typical of those places in cloudy days, to give a rather misty and graphical aesthetic to the work. Finally, the canvas print contributes in underlining the texture and the atmosphere of the images. Personal interpretation of the concepts contained in the book "One, No One and One Hundred Thousand" of the famous Sicilian writer "Luigi Pirandello". Ink pigment (giclée) print on archival acid-free 100% cotton canvas stretched over a 2cm thick wooden frame. Dated, numbered, and signed on the back. Comes with a signed certificate of authenticity. EDITIONS: - 60x60cm: edition of 7

Details & Dimensions

Photography:Paint on Canvas

Artist Produced Limited Edition of:1

Size:23.6 W x 23.6 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I'm an Italian fine art photographer born in Syracuse (Sicily) in 1971. After receiving a Bachelor Degree in Computer Engineering I attended the Master class in professional photography at the Italian Institute of Photography (IIF) in Milan. My technical background provides me with a particular inclination towards deep conceptual analysis and strong formal balance, sometimes with a bit of an ironic drift typical of his Italian culture. My main work covers reportage, documentary and conceptual photography. My approach to story-telling maintains a distance from the subject. Through a formal composition, often accompanied by a frontal point of view, I try to counteracts the weirdness of the recorded situation. I'm not going to search empathy with the subject, my link is instead towards the scene as a whole, seen from the outside with a cold and mindful sight. Thus, in my vision people and objects assume the same value inside the image's boundaries. I use to call this "monumental reportage". On the other front, my recent conceptual research aims to overcome the classical key point of photography, which consists in capturing a single instant in space and time, sometimes culminating in the well known "decisive moment" of Henri Cartier-Bresson. In projects such as "Around" or "One, No One and One Hundred Thousand" I'm trying to condensate together different frames of the same subject. This creates a complex stratification of details and gives the viewer a richer and deeper dimension to explore while maintaining the power of visual synthesis that photography offers in respect to cinematography. My works are regularly shown in exhibitions and events in Germany and Italy. I live and work in Berlin.

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