View In A Room
Add to Favorites
VIEW IN MY ROOM
VIEW IN MY ROOM
Size: 24 W x 24 H x 0.1 D in
Ships in a Tube
Artist featured in a collection
Featured in Inside The Studio
Showed at the The Other Art Fair
Featured in the Catalog
Inspired by traditional Hindu and Buddhist mandalas, these updated mandalas are composed of photographs of organic components – primarily flowers, leaves and seashells. The individual components are often unrecognizable due to mirroring, distortion and combining with other elements, but close examination will reveal minute flaws that are not present in computer drawings. Unlike traditional mandalas, they have seven sides, a number laden with mystical and mythological significance. Creating these mandalas is a contemplative, meditative experience for me. It is an enormously complex and detailed process that requires total concentration. Other pictures I can work on during the day with music blaring; these I work on late at night in complete silence. They are a source of endless exploration and discovery for me; I hope they can be the same for you. Prints are made on heavy watercolor paper, signed and numbered front and back. All mandalas are available in limited editions in other sizes, both larger and smaller; please inquire.
Photography Print:Color on Paper
Artist Produced Limited Edition of:9
Size:24 W x 24 H x 0.1 D in
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ed Freeman started his career in the music industry: as a road manager on the last Beatles tour, playing guitar on dozens of pop recordings, writing and conducting orchestral arrangements for Carly Simon and Cher among others and producing over two dozen albums, including Don McLean's immortal "American Pie." Starting twenty-five years ago he gradually transitioned to his other great love, photography. Since then he has published two hardcover books, an iBook and exhibited widely in galleries and museums, both in the United States and abroad. He has been featured in dozens of photography magazines and books and has scores of cover pictures to his credit. His fine art images are in private collections worldwide and in the permanent collections of several prominent American museums. Freeman is widely recognized for his expert and innovative use of Photoshop in creating images that run the gamut from believable realism to pure fantasy. His controversial position regarding image manipulation is that what he is producing is not journalism but fine art – pictures that are to be appreciated for their intrinsic esthetic value rather than for their accuracy in depicting an actual event or place in time.