27 Views
2
View In My Room
Photography, C-type on Paper
Size: 30 W x 30 H x 0.1 D in
Ships in a Tube
27 Views
2
Artist featured in a collection
Women have been an essential part of decades’ worth of rap videos yet rarely get the spotlight. The works in the series Hip Hop Honeys attempts to shift attention to these women, giving them at last the well-deserved attention. For three years, photographer Brian Finke went behind the scenes on hip-hop video shoots for musicians, including Jay-Z, Busta’ Rhymes, and Kanye West, getting to know and photographing the actors and professional models on set, often consulting with them when choosing the best takes from each shoot. Hop-Hop Honeys—an industry term for this role—is in keeping with Finke’s fascination of photographing people at work. Here, he employs his signature hyper-saturated aesthetic, documenting the models in their everyday work “uniforms,” capturing the imaginative hair, makeup, and styling that give the videos their distinction. But also, behind the glamour and moments of high-octane action are long, often boring hours on set. These long hours of waiting around enabled Finke to expertly capture the range of emotions that he seeks out to photograph—from excitement to tedium and focus to flirtation—“to observe and photograph the scene taking place.” From the monograph Hip Hop Honeys powerHouse Books, 2018 Signed, numbered, and dated (archival label, verso) Digital C-Type Print 30 x 30 in, Edition of 4 + 2 APs, $3500 20 x 20 in, Edition of 10 + 2 APs, $2500 Please note that prices increase as editions sell.
2013
C-type on Paper
4
30 W x 30 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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Brian Finke's visual cultural commentary focuses on authenticity and the absurdity of everyday life and the range of human behavior. A stylized documentarian and trained photojournalist, Finke’s honesty and intimacy when capturing subjects strikes at the core of contemporary life, with a uniquely American point of context and graphic sensibility. Often with boundary pushing subject matter, Finke challenges the viewer to confront what is often right in front of them, with an almost surreal understanding of immediacy, time, and place. From street photography to commercial portraiture to fashion editorials, His immersion in culture-at-large creates imagery that is deeply tied to the political and emotional undertones of the modern world. A graduate of the School of Visual Arts in New York City, Finke received a BFA in photography. He is the author of several books, and his first monograph, 2, 4, 6, 8, (2003), was named one of the best photography books by American Photo magazine. Earlier in his career, Finke was one of twelve artists nominated for the International Center for Photography’s annual Infinity Award, and he won a prestigious New York Foundation for the Arts Fellowship. His work is in nine museum collections in the U.S. and abroad, and he regularly shoots for editorial clients like National Geographic, The New Yorker, and The New York Times as well as commercial clients, including Delta Airlines, Uber Eats, and Budweiser. In addition to photographing his longterm personal projects, Brian teaches courses in photography at The Parsons School of Design in Manhattan and Red Hook Labs in Brooklyn. A native Texan, Finke lives in Brooklyn and is passionate about travel, tattoos, barbecue, and surfing.
Artist featured by Saatchi Art in a collection
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