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VIEW IN MY ROOM

VOYAGE OF THE DAWN TREADER - ( approaching Cathay ) Print

David Matthew Lyons

United Kingdom

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About The Artwork

VOYAGE OF THE DAWN TREADER - ( approaching Cathay ) From the Natural Highs and Lonesome Cowboys portmanteau. Raw image captured on colour digital photo on the river roads of Shanghai. When I was a boy the Belfast writer C. S. Lewis took me off the map across the seas to the East on the good ship Dawn Treader. As we grow older our horizons narrow. We stake the adventuring of childhood, the delight in flying fish and auroras, in wind in the face and tales of Saint Elmo’s Fire, on the adult gamble of gaining the harbour of security beyond the Fata Morgana islands of success and recognition - the constant need to show up on someone’s radar. In my personal work I am not a purist photographer but photography has long been my tool of choice because of its fundamental and inescapable grounding in reality which I see as the generator of all imagination. The beauty of the finely crafted classical monochrome print is undeniable but many years ago I tired of the puritanism which I felt deadened the delight of discovery. Journeying in the craftwork of a pedigreed train is best felt when it bursts out of the tunnel into expanding colour and light - and when you can drive your own discoveries beyond the tracks laid down by the agenda of others. The freedom of a child to be lost without fear. I like the fascination of occlusions in my optics rather than the predictable perfection of well-behaved mathematics. Seduction and possibility hold more attraction than purity and certainty. In many of the works shown here I have developed the luscious micro detail which makes these images best viewed as larger prints. I use this energetic texture to challenge the perception - from where are realities derived - to where are they projected? My path explores form, colour, surface levels and possible meanings. I push off from the shore but leave the journey to the winds and to the tides. The concept of destination is something I have never understood. I am looking to create sideways glances rather than documents or statements. The glimmer intrusions of parallel worlds. In the realms of Art, the camera is the only true voyeur - on the real battlefields, in the satin boudoirs of power, under the volcano, on the snub nose of a probe - it sees worlds we are too timid to seek - lets us imagine we can directly care. My philosophy - what informs how I see the world and put it into what I present? - The failure of humanity, through the ages, is that we have been taught, and have come to believe, that some future Heaven is more desirable than Eden. Our content to be what we are is destroyed when we look in the mirror and see ourselves haloed with gurus, profits and angels. Personal delight, beauty and peace are not things which can be bought or taught by any form of teacher - these things do not come from adrenaline hits of small cans of over-priced holy water laced with caffeine. The things which sustain us, give us nourishment, grace and stimulation, lie freely around us. But we have to find them alone and pay for them with patience, questioning, openness and the reduction of “self”. Maybe that’s not a very 21st Century philosophy. Take the time to listen to the storytellers, folks - and to the shamans and the poets - not the modern ones who only, endlessly, talk about themselves, but listen to the ones whose stories multiply our worlds and show us unfamiliar colours - who challenge the unconsciousness brought on by the narcosis of comfort and security. All the images here derive from single, in-camera, exposures. Everything you see was once, for me, for a brief moment, some kind of reality on the other side of the looking glass.

Details & Dimensions

Print:Giclee on Photo Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born at Bushmills on the north coast of Ireland. Lifetime of full time professional involvement in fine art / editorial / location photography, publishing, cultural interpretation, audio-visual multimedia and whiskey. Main inspiration from the ancient world, the modern world, the land, people and whiskey. From Shanghai to New Orleans, Finland to Nigeria. Mostly as a wide-eyed hobo. Recipient of the Northern Gas / Northern Arts Photography Fellowship - at the time the richest fine art photography award in Europe. Recipient of 2 Gulbenkian Foundation Awards - one for fine art printmaking, one for audio-visual installation of Ancient Scotland. In my personal work I am not a purist photographer but photography has long been my tool of choice because of its fundamental and inescapable grounding in reality which I see as the generator of all imagination. The beauty of the finely crafted classical monochrome print is undeniable but many years ago I tired of the puritanism which I felt deadened the delight of discovery. The Zen of it all might leave the photographer enhanced but to the viewer such images too often seem to decrease and recede into the perfection of technique rather than into the expansion of vision. A rose is a rose is a rose but its mazing scent and its thorn against the breast conjure danger and complexity seldom embraced by the purist. Journeying in the craftwork of a pedigreed train is best felt when it bursts out of the tunnel into expanding colour and light - and when you can drive your own discoveries beyond the tracks laid down by the agenda of others. The freedom of a child to be lost without fear. I like the fascination of occlusions in my optics rather than the predictable perfection of well-behaved mathematics. Seduction and possibility hold more attraction than purity and certainty. In many of the works shown here I have developed the luscious micro detail which makes these images best viewed as larger prints. I use this energetic texture to challenge the perception - from where are realities derived - to where are they projected? My path explores form, colour, surface levels and possible meanings. I push off from the shore but leave the journey to the winds and to the tides. The concept of destination is something I have never understood. I am looking to create sideways glances rather than documents or statements. The glimmer intrusions of parallel worlds.

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