Waiting for Randy (Wastelands) - Limited Edition of 30


Germany

Photography
Size: 15 H x 14.2 W x 0.1 in

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Showed at the The Other Art Fair Showed at the The Other Art Fair

Art Description

Photography: Polaroid, Color, C-type and Photo on Other.

Waiting for Randy (Wastelands), 2004, Edition 2/30, Lambda Print, based on a Polaroid, not mounted, Signature label and Certificate, artist Inventory No. 1166.68

Exibition History: 2006: Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) - Wastelands, Zephyr, Mannheim, Germany (S) (catalog) 2007: Wastelands, Kunstverein Recklinghausen, Germany (S)

Publications: STRANGER THAN PARADISE published by Hatje Cantz Verlag, Ostfilder, 2006, (monography) & WASTELANDS published by Edition Braus, Wachter Verlag, Heidelberg, 2006 (monography)

Stefanie Schneider: A German view of the American West

The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century?

Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works.

What is most striking about Schneider's images is the colour which evokes the appearance of expired Polaroid film. Her role in preserving the use of Polaroid is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction.

This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.''

''The ex-lover experiences the residues of love as an amputee experiences the sensation of a ghost limb.'' - Stefanie Schneider

Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider.

This sense of absence runs deep through Schneider's work, the fact she even uses expired film means there is a sense of the unknown as she will not know if her subjects have been captured until she is in the dark room. Long before Valencia, Mayfair and Amaro, or any other Instagram filters, Schneider was creating this otherworldliness the image sharing network tries to create.

Barnebys, May 3rd, 2017

Keywords: Californiacation, Vintage, Women, Yellow, Polaroid, Andy Warhol, Americana, Wabisabi, Outlaw, Cindy Sherman, Desert

Subjects: Love

Styles: Conceptual, Pop Art, Portraiture, Figurative, Fine Art

Mediums: Polaroid, Color, C-type, Photo

Materials: Other

Prints: Love Art Prints, Conceptual Art Prints, Pop Art Art Prints, Portraiture Art Prints, Figurative Art Prints, Fine Art Art Prints, Polaroid Art Prints, Color Art Prints, C-type Art Prints, Photo Art Prints, Other Art Prints

Artist Recognition

Artist featured in a collection Artist featured by Saatchi Art in a collection
Showed at the The Other Art Fair Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles

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