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We Make Our Own Path (Unnatural Practices) - 2/25 Photograph - Limited Edition of 25

Justice Hyde

United Kingdom

Photography, Color on Paper

Size: 16 W x 24 H x 0.1 D in

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$285

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ABOUT THE ARTWORK

Part of my Unnatural Practices project, selected photographs from which were exhibited at the Chapel Gallery, Ormskirk, UK, 27 February - 9 April 2016. From the curator's notes... "Justice produces kaleidoscopic photographs that mimic the disorder found in the natural world when not controlled by human interaction. By methodically setting up multiple exposures, meticulously overlapping his images he, somewhat paradoxically, creates chaotic environments that feel thoroughly wild." Shot on 35mm film in Northern England. Unmounted 24x16 inch hand-signed and numbered print from a limited edition of 25 (plus 2 artist's proofs). Printed with Epson K3 inks on Hahnemuhle FineArtPearl (or equivalent) paper. Print comes with a wide border for easy matting and framing.

DETAILS AND DIMENSIONS
Photography:

Color on Paper

Artist Produced Limited Edition of:

25

Size:

16 W x 24 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Justice Hyde is an emerging photographic artist based in North West England. Largely self-taught, his work incorporates multiple strands: explorations of mortality through abstracted images of deteriorated surfaces both natural and man-made; themes of psychogeography, resonance and dissonance in the urban, suburban and rural landscape; and examinations of sexuality, identity and self-actualisation amid the fluid moralities and new paradigms of the data age. The strands are unified by an interest in the convergence, divergence and intersection of perception and reality. Having begun in photography by using, developing and printing black and white film, he moved to digital processes, but since 2014 has increasingly returned to analogue photography, with 35mm, medium format and Polaroid film now central to his practice, alongside DSLR and even smartphone cameras. In most cases little or no post-processing is used. This diverse approach and discipline ensure that the image never becomes secondary to the tool or technique.

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