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zone #50 - Limited Edition of 10 Photograph

Dmytro Kupriyan

Ukraine

Photography, Black & White on Paper

Size: 23.6 W x 15.7 H x 0 D in

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About The Artwork

The icon corner (red corner, holy corner) is the holiest and most honorable place in a Christian Orthodox hut, house or apartment, usually placed diagonally from an old style rocket mass heater oven. It is the place where the Bible, icons, candles and so on are placed. The icon corner for the Christian Orthodox is a symbol of the spiritual, God, family altar, abundance, and wealth. My photographs picture icon corners in huts and houses of the Chernobyl Exclusion Zone, Ukraine, that people were forced to abandon more than 30 years ago, where religious attributes owere carefully moved by the owners or looted. But what was left instead? What is beyond crosses and crucifixes, images and icons, churches and chapels, rituals and fasting in the Christian Orthodox tradition? Only one thing - personal and intimate space of a human being, where God and Love are represented in its clearest sense. In this project I try to show that in Slavic culture spirituality is covered by the Christian Orthodox religion and beyond it remains only the purest - Love. Chernobyl Exclusion Zone in Ukraine is the place where is personal comfort area are extended and have no visible limits. There is no human and no contact with and no one break in to your thoughts and dreams. Everything that your inner world is expands outside with no limits in here. Signed, dated and inscribed with title and signed reverso with the edition number. Added a Certificate of Authenticity. More at www.kupriyan.com

Details & Dimensions

Photography:Black & White on Paper

Artist Produced Limited Edition of:10

Size:23.6 W x 15.7 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Worked as a photojournalist at news agencies and later started to work on the topic of tortures doing a photo project about violence in ukrainian police (project "TORTURED") and aftermath of it. Then he shift his camera to topic of violence in wide meaning of it making a projects about war in Ukraine (projects "Fragments of War", "Banality of Aggression" and "WHEN THE WAR IS OVER") and later as a conclusion he moved to the topic of dialog in society as a reconciliation making a video about necessarines of Dialog trying to show that the only way to solve the problems and misunderstanding in societies is the dialog in all meaning of it: verbal, subverbal, physical, etc. Also he is interesting in ukrainian historical shipping and sailing on the chaika (name of an old national Ukrainian boat) “SPAS”, built in 2007 by a group of national enthusiasts. He went on a lot of trips over Dnipro river and Black Sea and made a set of photographs about that. On the boat he served as sailor, boatswain, motorist and made a lot of wood works. In 2015 he serve a year in army photographing during the Ukrainian-Russia conflict in Donbass.

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