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Arpeggi / FOLIO, in situ
Arpeggi / FOLIO, in situ
Arpeggi / FOLIO, in the studio
Arpeggi / FOLIO, boxed
Arpeggi / FOLIO, in the studio
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Arpeggi / FOLIO / silvered - Limited Edition of 24 Print

Chuck Elliott

United Kingdom

Printmaking, Pigment print on Paper

Size: 21.3 W x 25.6 H x 0.1 D in

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$550

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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

The Arpeggi series of drawings seemed to lend itself particularly well to the idea of being recoloured, and so after some experimentation, I settled on the idea of making six variants, which would be contained within a box, or clam shell folio. At the base level the six variations are red, yellow and blue, alongside black, white and grey. Three hues and three tones. Effectively creating a sextet of variations, or parameters, to work within. From there each piece takes on it’s own particular characteristics of course. There’s a long tradition in fine art printmaking of working in sets, and offering those sets within a single folio. To my mind Warhol’s electric chair series is a particularly noteworthy example. It’s a really satisfying format to work with, and one I’m sure I’ll return to. There's more than a little inspiration from the Goldberg Variations here too.

Details & Dimensions

Printmaking:Pigment print on Paper

Artist Produced Limited Edition of:24

Size:21.3 W x 25.6 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Chuck Elliott (b. 1967, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers, with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art print making for the digital age. Pure logical progression.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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