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VIEW IN MY ROOM
Printmaking, Digital on Paper
Size: 31.5 W x 31.5 H x 0.1 D in
Ships in a Tube
Artist featured in a collection
Featured in the Catalog
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Showed at the The Other Art Fair
Edition Size: 80 Dimensions: 80x80 cm Type: Giclee on Somerset fine art paper This piece features Audrey Hepburn's portrait on a collage background of newspaper clippings about Audrey Hepburn. High quality Giclee print on somerset art paper with torn edges.
Print:Digital on Paper
Artist Produced Limited Edition of:80
Size:31.5 W x 31.5 H x 0.1 D in
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Artist's studio in United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
I am a contemporary artist living and working in the UK. I create mixed media and collage pieces, inspired by pop and urban art themes, and sell original pieces, limited edition prints, and offer artwork commissions. I have made art my life’s work. I enjoy the challenge of exploring new and inventive techniques, to create pieces that are balanced and simple, but technically complicated. As I tend to get bored rather quickly, I’m always experimenting; trying out lots of different materials that I have not used before, in ways that are less common. Consequently, although I like to choose subjects that fascinate me such as: beautiful people, butterflies and birds, I find more pleasure in focusing on developing specific techniques and trying out new forms of media. My favourite medium is spray paints. They are truly versatile and I adore the smooth and uniform finish that they can create. However, what I love most about spray paints is the challenge in using them. Unlike the control one has over a traditional paint-brush, you rarely have the same level of control when it comes to using a spray-can. Pointing the nozzle over a delicate piece that I have been working on for days or weeks is a terrifying, but truly thrilling moment for me. Especially as I like perfection; if I make a mistake, I will have to go back to the beginning and start again from scratch. My work begins with a vague image in my mind. I spend weeks or months considering the possibilities of developing it. I then start sketching my basic ideas and begin to plan the stages for its creation. As soon as I have a clear idea of how the finished artwork should look, I will begin the process. The hard part is that things rarely go as planned, especially if I am working with unpredictable materials. Sometimes it takes several attempts to achieve the finish I desire. I have had pieces that took over eighteen months to complete, but normally the process takes around four to eight weeks, depending on the complexity of the design.
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