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Back to Brown Print

Janine Saul

Printmaking, Screenprinting on Silk

Size: 36 W x 41 H x 1 D in

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$1,935

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About The Artwork

Back to brown is about returning back to the basics. For me brown feels like a very grounding earthing colour that takes us back to our roots, where we come from, what makes us feel safe and held. Back to brown is about stripping it all back, all the colours, patterns, textures, layers and giving it back to the earth and starting again. It feels like a fresh slate, there are still tones and textures there because there will always be but there is more space to think. To feel safe and held in giving yourself time to ground and return to a space where you feel connected to yourself. The pockets of gold remind me of clearing the foggy muck and coming to clarity. That unlimited earthy pure source that is within us, its stripping everything back to that space where we feel ourselves through a real connection to where we come from.

Details & Dimensions

Printmaking:Screenprinting on Silk

Original:One-of-a-kind Artwork

Size:36 W x 41 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Janine Saul (b. 1997, London) is a conceptual textile artist. Janine's intrigue in the art of screen-printing stemmed from an interest in the possibilities of creating dimension and texture on fabric surfaces. By challenging the traditionally linear formula of the screen-printing process through manipulating screens, creating resists, and developing dye formulas, Janine has cultivated an experimental practice that implements her discoveries to create form-focused, layered outcomes rooted in depth and emotion. While playing with textural quality by pushing the boundaries of print, Janine's work is heavily informed by her lifestyle as a world traveller, gathering inspiration and teachings from around the world to create intricate pieces that aim to understand the many layers and constructions of the human experience, using colour and dimension to embody a space, time, moment and feeling. Describing her approach to creation as a desire to 'bring the invisible to the visible', Janine's work aims to reveal what happens in the spaces beyond the perceived eye. Through spatial installations, Janine employs movement to expose, conceal and reveal spaces to ourselves. Through her travels, Janine has positioned her work in diverse locations from the remote jungle of Mexico to conventional gallery spaces and has exhibited globally across London, New York, Mexico, Peru, France, Italy, and Greece.

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