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View In My Room

Behind closed doors Print - Limited Edition of 20

walter dermul

Belgium

Printmaking, Digital on Paper

Size: 15.4 W x 10.6 H x 0.1 D in

Ships in a Box

SOLD
Originally listed for $190

23 Views

5

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Is there life behind the door? In his famous play Huis Clos (Behind Closed Doors), Jean-Paul Sartre locks three people in a locked room. They are trapped within themselves and each other, in each other's hell. For Sartre, it is an expression of his existentialist view that man, although 'condemned to be free', does not realize his individual freedom or even often does not want or cannot accept it. I find how we deal with freedom an inexhaustible source of inspiration. How malleable is life – or do we dare to make it? In many of my works a cube (as the black box in which yesterday and tomorrow are still hidden) plays an explicit role. A closed space is another representation of this. A door or a window in it is like a time machine. Do we want to go out there, to a new time - or do we stay safe (locked up) in today?

DETAILS AND DIMENSIONS
Printmaking:

Digital on Paper

Artist Produced Limited Edition of:

20

Size:

15.4 W x 10.6 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Apart from some months at the Antwerp academy, I have no formal training in art or painting. In my earlier career I worked as a strategist in marketing communications and advertising. Even up to today I work as an independent brand strategy consultant. But more and more this is being taken over by this other passion of mine : oil painting. Since a couple of years now I got into a relatively stable routine of exploring the ins and outs of painting on canvas. I love the lively plasticity of oil paint. With each brushstroke I push and pull the colors – almost like sculpting – into shapes with expression. In contrast to oil, I hate acrylic, which I find a ‘dead material’. I focus on representational subjects. Sources of inspiration come from different sides. I guess most of my work tries to portray real people and their emotions. It can be portraits of people I know or scenes from news items – such as the recent refugee crisis in Syria. I start from photos that I have taken myself of the subject, or pictures that I find on news sites. The biggest challenge is ‘seeing’ and translating the essence and the details into a new speaking and striking image. My recent body of work deals with interpersonal relations. I can be deeply moved by how adults (parents ?) relate to (their ?) kids and vice versa. Growing up is a complex process. Happiness and sorrow, anger and angst, love and rebellion - there are enough colors in life to be inspired by in my paintings.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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