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C7 (430 Zeichen) - Limited Edition of 3 Print

Arthur Kunz

Germany

Printmaking, Ink on Paper

Size: 12.2 W x 16.1 H x 1.2 D in

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Originally listed for $390
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About The Artwork

Titel: "C7 (430 Zeichen)" from the series "pre MONITOR" Giclée Print on Fineart-Hahnemühle paper fixed on Alu-Dibond framed in black Artbox Frame 40 x 30 cm (41 x 31 cm framed) Edition of 3 Published by KUNZ Editions Signed, dated and numbered by the arist: Arthur Kunz 2021 Description Series "pre MONITOR": "In an eight-month painting process during his stay in the Wacker guest studio, ARTHUR KUNZ worked on his monumental work "Monitor" (330x560cm) in 2020/2021. KUNZ is a trained computer scientist and worked as such for a long time, which is reflected not only in the choice of title and subject, but also in the artistic strategy and style of the resulting work. On the one hand, shaped by mathematics, logic and physics, he is familiar with the rationality of machine language. On the other hand, during his time as a guest artist, he consciously turned his gaze outward to his surroundings and, according to his own admission, also focused on the very different attitudes of some artists in the neighboring studios, e.g. their perspective on the everyday, the artistic conceptions, to incorporate the work processes or their handling of material as a stimulating impulse into his work on "Monitor"." Source: "Exhibition Catalogue MONITOR, 2021, page 4, Ralf Peters"

Details & Dimensions

Printmaking:Ink on Paper

Artist Produced Limited Edition of:3

Size:12.2 W x 16.1 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Arthur Kunz is a trained computer scientist and cosmopolitan. Born in 1978 in the former USSR, he grew up in Bietigheim and later lived in Vienna and Berlin. So his identity is made up of various elements and cultures. The same can be said about his pictures. He describes himself as a bag man who collects literature, screenshots, computer games and his own personal history from the city's refuse bins. All of these elements are juxtaposed in paintings, drawings and books. Filled with strong signs, the works appear at first glance like drawings by a teenager, in which there is also a lot of irony and distance. But under the apparently childish surface there is something hectic and irresponsible, something lustful and erotic. Arthur Kunz paints in a way that only feigns sloppiness, because the pictures are “realistic and carefully executed.” In his composition he moves the attention of the spectator to the edges of the picture thereby challenging the traditional centre of a painting. As a real painter, he deals extensively with questions of color and composition, develops the pictures over a long period of time often in only small steps and likes to create multi-serially. Arthur Kunz lives and works in Langen, Germany.

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