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Large Format Archival Epson Ultrachrome Print on Cotton Rag Textured Fine Art Paper, Edition of 3
Note: Edition number 1 sold

About My Prints:

Not being able to paint the pictures in my imagination due to my disability from a spine disease, the digital print is the medium to transpose my work and like a painter, I wish it to be viewed for generations. This is of the utmost concern to me. I find it critically important to assure collectors that my prints are truly archival and of the very best quality and the only way of insuring that is to have complete control of the printing process. I only create small editions of 3 prints of all my works assuring collectors of their scarcity and value and do not offer them as reproduction giclee prints through Saatchi. All of my work is printed by me with help of assistants in my home studio with state of the art fine art digital printer technology. My digital prints are of the highest archival quality and the absolute best in the industry, using the best equipment, inks and substrates. 
For my prints on paper, I use the Epson 9600 large format aqueous pigment printer with Epson Ultrachrome Inks. Engineered for the fine art market, it reproduces my visions with vibrant colors extremely accurately. For me, color fidelity is critical because of the vibrant colors in my work. 

My prints on paper are printed on Pura Velvet 100% cotton rag textured fine art paper. Made by Breathing Color, it’s the most advanced fine art paper for digital prints in the industry and exceeds the standards set forth by Fine Art Trade Guild (FATG) and is compatibly tested for use with the Epson Ultrachrome Ink. Unlike other fine art papers used in digital printing, it has no optical brightener additives (OBA’s). The additives which are bleaching agents are sensitive to UV and can yellow over time.

I have exhibited my work widely in solo, group and juried Exhibitions.  My work is in many private collections and corporate collections, among them the Cleveland Clinic Art Collection and the permanent collection of the Patricia and Phillip Frost Art Museum in Miami, a Smithsonian affiliated museum.
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VIEW IN MY ROOM

Construct 045.15 Print - Limited Edition of 3

Andrew Reach

United States

Printmaking, Digital on Paper

Size: 44 W x 46.8 H x 0.1 D in

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$3,210

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About The Artwork

I was an architect first, having studied at Pratt Institute and practicing for over 20 years when in 2005, a progressive spine disease left me disabled and unable to continue practicing. I reinvented myself as an artist working in the realm of digital media. Because of my disability, I work digitally. Painting the large format works I want to create is not a viable option for me, so digital technology is a blessing. Art and technology is converging in our time. For me, technology as a tool empowers my creative spirit. As my work resides in the realm of virtual computer code, I like to think of the code being the artworks DNA and embedded in this code is the soul of the human element that created it. My architecture never left me. It lives on in my artistic practice. It informs me; always thinking about structure, color and rhythm. The use of the grid, indispensable in architecture for defining parameters of space, is the skeletal backbone of much of my work. Working within the grid might sound constraining, but for me, is liberating. Within the grid, I syncopate color and geometric forms in kinetic compositions that are an expression of the joy of energy and movement; a stand in for my inability to move freely through the world without pain. Creating geometric constructs offers me a form of invention that challenges me both analytically and creatively. Each work is a formal exercise layered on top of a creative one, revealing the duality of my brain. The ultimate goal of this process is a quest to reach Optical Joyfulness and to impart this joy to the viewer. My Prints on paper are archival aqueous pigment inkjet prints of the highest quality. The paper is acid free 100% cotton rag Pura Velvet by Breathing Color and inks are Ultrachrome aqueous pigment inks by Epson printed by me on an Epson 9800 Stylus Pro printer.

Details & Dimensions

Printmaking:Digital on Paper

Artist Produced Limited Edition of:3

Size:44 W x 46.8 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

(b. 1961 – Miami Beach, FL) I was an architect first, having studied at Pratt Institute and practicing for over 20 years when in 2005, a progressive spine disease left me disabled and unable to continue practicing. I reinvented myself as an artist working in the realm of digital media. Because of my disability, I work digitally. At my age, I straddle two worlds, the analog of the past and the digital of today. Working digitally, I question how the digital modality of creating works of art, being in its infancy relative to the history of art, relates to the history of creative expression. Art and technology is converging in our time. For me, technology as a tool empowers my creative spirit. As my work resides in the realm of virtual computer code, I like to think of the code being the artworks DNA and embedded in this code is the soul of the human element that created it. My architecture never left me. It lives on in my artistic practice. It informs me; always thinking about structure, color and rhythm. Creating geometric constructs offers me a form of invention that challenges me both analytically and creatively. Each work is a formal exercise layered on top of a creative one, revealing the duality of my brain. My architectural/engineering brain deeply rooted in my work is now manifesting itself in a new creative process I call “3D Derivatives”. The idea of an artist being derivative often has a negative connotation, as being imitative of another artist. But I’m using this word in a different context; that of something that is derived from a source, in this case the source being a 3d model. Geometric structures are emerging in my 3d explorations as if architecture is being transformed into artwork. My work has been exhibited in the United States in solo and group exhibitions including a solo exhibition at the Frost Art Museum. My work is in private, corporate and institutional collections, among them the Permanent Collection of the Frost Art Museum in Miami and the Cleveland Clinic Art Collection. My work in public art includes a permanent installation at the LGBT Community Center of Greater Cleveland and most recently I was commissioned by the Cleveland Public Library to create “QUADRATALUX’, a 10 x 30 foot art wall for one of its branches as part of the library’s “SEE ALSO” public art initiative.

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