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ENTRE 3 - Limited Edition 1 of 10 Print

Stefan Osnowski

Portugal

Printmaking, Woodcut on Paper

Size: 55.1 W x 43.3 H x 0 D in

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About The Artwork

During my stay in Portugal some years ago I had a residency, a small studio in Lagos in the south west of the country, the really end (or beginning) of Europe and from where once the big “descobridores” where leaving the Old World to discover the New one. Almost every day I went to the shore (I could see and of course smell the sea anyway from my window), preferably to the western coast, to Sagres, Vila do Bispo, Aljezur, Praia da Ponta Ruiva, Praia do Cordoama, Praia da Barriga or Praia do Amado. And I spent hours watching the waves in their endless motion, crashing onto the cliffs again and again; sometimes when I spent the night at the beach I could even feel the dark and deep vibrations under me. I felt so small by facing this pure energy, by breathing this power of nature. Back in Budapest I started the ENTRE (In Between) serie in 2017, several images of empty Seascapes which I had brought with me or were still so present inside of me. Carving those crossed lines into the wood brought back the sea, each stroke of the knife a memory, cut into almost perfect Epicurean triangles, endlessness, meditative monk’s work. ENTRE 3 (1/10) Warm Black oil-based woodcut on paper, Edition 10, print size 89 x 120 cm, paper size 110 x 140 cm ©2017 Stefan Osnowski

Details & Dimensions

Printmaking:Woodcut on Paper

Artist Produced Limited Edition of:10

Size:55.1 W x 43.3 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

„For many years now, Stefan Osnowski has been concerned with a new approach to wood engravings and has been developing the opportunities inherent to the technique. When preparing the engravings enlarged to the size of an easel painting, he creates a range of tonal values purely through the variation of the width and depth of the carved lines, horizontal and vertical or diagonal, as well as through the alteration of the density of the grid whilst retaining a purely monochrome imagery. His printing technique also deviates from the norm, due to the use of a palm- size glass lens to manually rub the ink onto the paper rather than a printing press, thus preserving the apparent uniqueness of each individual item in a series. Physical contact and hand-crafting is just as much a part of the concept as gathering a theme or selecting a medium.”

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