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The endlessness of the sky and sea provokes us to consider our own limitations: The horizon is a limit we can never reach, that constantly suggests to us its distance. At the same time, these images are also projections of our dreams and aspirations, suggested to unparalleled distance and depth. But it is only a glimpse into the distance that truly opens up our view to the inside, to the width and boundlessness within ourselves. Due to their delimitation, these images also refer to the painting „The monk by the sea“ by Caspar David Friedrich, on which Heinrich von Kleist remarked, ‚the observers eyelids would be cut away‘.
The endlessness of the sky and sea provokes us to consider our own limitations: The horizon is a limit we can never reach, that constantly suggests to us its distance. At the same time, these images are also projections of our dreams and aspirations, suggested to unparalleled distance and depth. But it is only a glimpse into the distance that truly opens up our view to the inside, to the width and boundlessness within ourselves. Due to their delimitation, these images also refer to the painting „The monk by the sea“ by Caspar David Friedrich, on which Heinrich von Kleist remarked, ‚the observers eyelids would be cut away‘.
The endlessness of the sky and sea provokes us to consider our own limitations: The horizon is a limit we can never reach, that constantly suggests to us its distance. At the same time, these images are also projections of our dreams and aspirations, suggested to unparalleled distance and depth. But it is only a glimpse into the distance that truly opens up our view to the inside, to the width and boundlessness within ourselves. Due to their delimitation, these images also refer to the painting „The monk by the sea“ by Caspar David Friedrich, on which Heinrich von Kleist remarked, ‚the observers eyelids would be cut away‘.
The endlessness of the sky and sea provokes us to consider our own limitations: The horizon is a limit we can never reach, that constantly suggests to us its distance. At the same time, these images are also projections of our dreams and aspirations, suggested to unparalleled distance and depth. But it is only a glimpse into the distance that truly opens up our view to the inside, to the width and boundlessness within ourselves. Due to their delimitation, these images also refer to the painting „The monk by the sea“ by Caspar David Friedrich, on which Heinrich von Kleist remarked, ‚the observers eyelids would be cut away‘.
The endlessness of the sky and sea provokes us to consider our own limitations: The horizon is a limit we can never reach, that constantly suggests to us its distance. At the same time, these images are also projections of our dreams and aspirations, suggested to unparalleled distance and depth. But it is only a glimpse into the distance that truly opens up our view to the inside, to the width and boundlessness within ourselves. Due to their delimitation, these images also refer to the painting „The monk by the sea“ by Caspar David Friedrich, on which Heinrich von Kleist remarked, ‚the observers eyelids would be cut away‘.

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ENTRE 5 (10/12) green turquoise Print

Stefan Osnowski

Portugal

Printmaking, Woodcut on Paper

Size: 19.7 W x 27.6 H x 0.1 D in

Ships in a Tube

SOLD
Originally listed for $630

130 Views

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ABOUT THE ARTWORK

The endlessness of the sky and sea provokes us to consider our own limitations: The horizon is a limit we can never reach, that constantly suggests to us its distance. At the same time, these images are also projections of our dreams and aspirations, suggested to unparalleled distance and depth. But it is only a glimpse into the distance that truly opens up our view to the inside, to the width and boundlessness within ourselves. Due to their delimitation, these images also refer to the painting „The monk by the sea“ by Caspar David Friedrich, on which Heinrich von Kleist remarked, ‚the observers eyelids would be cut away‘.

DETAILS AND DIMENSIONS
Printmaking:

Woodcut on Paper

Original:

One-of-a-kind Artwork

Size:

19.7 W x 27.6 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Stefan Osnowski is a German visual artist using one of the oldest reproduction processes to create an extremely filigree, digitally appearing, ultra-modern aesthetic. He exclusively uses the centuries-old technique of woodblock printing. Osnowski is investigating digital codes to transform it into analog ones to represent phenomenas such as time, movement and spaces in a two dimensional image frame. The transformation of the original image into an abstract binary bar code - 1 or 0 – carved into the wooden panel and printed by hand; gathering a theme or selecting a medium is just as much a part of the concept as physical contact and hand-crafting. He is living and working in Lisbon (Portugal).

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