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The endlessness of the sky and sea provoke us to consider our own limitations: The horizon is a limit we can never reach, that constantly suggests to us its distance. At the same time these images are also projections of our dreams and aspirations, suggested to unparalleled distance and depth. But it is only the glimpse into the distance that truly opens up our view to the inside, to the width and boundlessness within ourselves. Due to their delimitation, these images also refer to the painting „The monk by the sea“ by Caspar David Friedrich, on which Heinrich von Kleist remarked, ‚the observers eyelids would be cut away‘.
The endlessness of the sky and sea provoke us to consider our own limitations: The horizon is a limit we can never reach, that constantly suggests to us its distance. At the same time these images are also projections of our dreams and aspirations, suggested to unparalleled distance and depth. But it is only the glimpse into the distance that truly opens up our view to the inside, to the width and boundlessness within ourselves. Due to their delimitation, these images also refer to the painting „The monk by the sea“ by Caspar David Friedrich, on which Heinrich von Kleist remarked, ‚the observers eyelids would be cut away‘.
The endlessness of the sky and sea provoke us to consider our own limitations: The horizon is a limit we can never reach, that constantly suggests to us its distance. At the same time these images are also projections of our dreams and aspirations, suggested to unparalleled distance and depth. But it is only the glimpse into the distance that truly opens up our view to the inside, to the width and boundlessness within ourselves. Due to their delimitation, these images also refer to the painting „The monk by the sea“ by Caspar David Friedrich, on which Heinrich von Kleist remarked, ‚the observers eyelids would be cut away‘.
The endlessness of the sky and sea provoke us to consider our own limitations: The horizon is a limit we can never reach, that constantly suggests to us its distance. At the same time these images are also projections of our dreams and aspirations, suggested to unparalleled distance and depth. But it is only the glimpse into the distance that truly opens up our view to the inside, to the width and boundlessness within ourselves. Due to their delimitation, these images also refer to the painting „The monk by the sea“ by Caspar David Friedrich, on which Heinrich von Kleist remarked, ‚the observers eyelids would be cut away‘.
The endlessness of the sky and sea provoke us to consider our own limitations: The horizon is a limit we can never reach, that constantly suggests to us its distance. At the same time these images are also projections of our dreams and aspirations, suggested to unparalleled distance and depth. But it is only the glimpse into the distance that truly opens up our view to the inside, to the width and boundlessness within ourselves. Due to their delimitation, these images also refer to the painting „The monk by the sea“ by Caspar David Friedrich, on which Heinrich von Kleist remarked, ‚the observers eyelids would be cut away‘.

249 Views

11

View In My Room

ENTRE 5 (raw sepia) - Limited Edition 6 of 12 Print

Stefan Osnowski

Portugal

Printmaking, Woodcut on Paper

Size: 49 W x 69 H x 0.1 D cm

Ships in a Tube

€559

Shipping included

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249 Views

11

Artist Recognition
link - Featured in One to Watch

Featured in One to Watch

link - Artist featured in a collection

Artist featured in a collection

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The endlessness of the sky and sea provoke us to consider our own limitations: The horizon is a limit we can never reach, that constantly suggests to us its distance. At the same time these images are also projections of our dreams and aspirations, suggested to unparalleled distance and depth. But i...

Year Created:

2018

Subject:
Mediums:

Printmaking, Woodcut on Paper

Rarity:

One-of-a-kind Artwork

Size:

49 W x 69 H x 0.1 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Portugal.

Need more information?

Need more information?

Stefan Osnowski is a German visual artist who employs one of the oldest reproduction techniques to create an intricate, digitally-inspired, ultra-modern aesthetic. He exclusively uses the centuries-old process of woodblock printing. Osnowski explores digital codes, transforming them into analog representations to depict phenomena such as time, movement, and space within a two-dimensional image frame. This transformation involves converting the image into an abstract binary barcode—1s and 0s—carved into a wooden panel and printed by hand using palm-sized glass lenses. The process of selecting a theme or medium is as integral to the concept as the physical contact and craftsmanship involved. In 2024, Osnowski was awarded third place in the international Luxembourg Art Prize. He lives and works in Lisbon. „My work explores the tension between structure and unpredictability, transforming familiar motifs into shifting frameworks of time and space. By weaving geometric harmony with chaotic disruptions, I blur the boundaries between rationality and emotion. The result is a visual language that oscillates between control and spontaneity, figuration and abstraction—inviting the viewer to navigate a dynamic, ever-changing landscape.“

Artist Recognition
Featured in One to Watch

Featured in Saatchi Art's curated series, One To Watch

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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