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Printmaking: Woodcut, Oil, Ink on Paper.
Do we see imaginary or real landscapes? The tide of condensation and thinning, or as liquids are freezing? As if facing the rays of a dark sun, we have to squint: because we can sense figurality, but as we take one step aside, the structure glints immediately. What we see is abstract and concrete at the same time. Or somewhere in between the two.
Artist featured by Saatchi Art in a collection