336 Views
2
View In My Room
Printmaking, Screenprinting on Paper
Size: 35 W x 23 H x 1 D in
Ships in a Crate
336 Views
2
Showed at the The Other Art Fair
Artist featured in a collection
Limited Edition of 24. The tearing creates layering between two of the printed sheets (inter weaving) and makes the actual landscape dimensional where as the reflection is painted/replicated (as a reflection is) on the water. This is another application of the possibilities of the 3 types of tears and the method of assembly used in Cloudscape: inner, outer and reversal tears played against printed deckle edges, cut edges and liquid lacquer-created edges. The fold occurs in the middle of the print, whereas previously, folds occurred at the edges (Layered Mountains, Sunset III and IV) - here used as a simple expression of mirror image / a reflection/ like a Rorschach test. Being of paper, there is also a reference to a book, which has its fold at the spine in the middle. The composition is an “X”.
1976
Screenprinting on Paper
1
35 W x 23 H x 1 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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Sandy Bleifer received her B.A. in Fine Arts at U.C.L.A. in 1962 and worked as an Artist in Residence, an art teacher, docent and publisher of curriculum materials in the arts. With the support of “Space”, a seminal Los Angeles gallery under the direction of Edward Den Lau, she exhibited and sold her work from the early ‘70s through 1997. The artist's work is in over 200 private and public collections worldwide. Her personal idiom began with silkscreen, collage and an exploration of of paper: a continuing discovery into its complex nature and its ability to serve as a metaphor for the world around us. Early in her career as an exhibiting artist, social and political activism crept into the mix. Soon she began creating art installations that became a focus and galvanizing force for the reconsideration of major historical events: the Holocaust and the bombing of Hiroshima and Nagasaki. In the mid-1990s she focused her attention on a pivotal moment in Los Angeles’ contemporary history: the revitalization of downtown LA. Now in recent years, she is further imbuing her art with a pro-active agenda using interactive installations, video and community engagement with threads that can be seen in her prior aesthetic concerns – paper as a metaphor for life, environment and the human condition.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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