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Printmaking: Acrylic, Spray Paint, Plexiglass.

The use of circular forms in my work enhances the awareness of the cyclical nature of life. Specifically, how our inner library of iconography and memories allow us to travel backwards and forwards within ourselves through our own consciousness. These visions allow us to re-see, reconfigure and reexamine who we are today.

To create the articulation of the layers of the human experience I use a visual vocabulary or “narrative syntax” of hundreds of everyday objects transformed, connected, and repeated through different media; screen-printing, watercolor, spray paint, stencils, gouache, acrylic, ink and light-sensitive paint. The narrative starts on the circular panel, taking form as coded, ethereal landscapes through the paint wash layers.

In this artwork several of the objects glow in the dark. In addition because the artwork is floating an inch away from the wall it throws echos of shadows of the artwork, further transforming as the light changes in the room.

The created layers of the narrative syntax on this Plexiglas, are articulated  through individual screen-prints, and paintings such as a flower growing out of a house, or an airplane dragging an attached ribbon. They achieve different meanings through different juxtapositions. These symbolic images are repeated along with the painted layers in various scale, forms and media.

The combinations provide symbolic vocabulary in a variety of interpretations, inviting the viewer to assign their own associative meanings.

As the work exists in its home or public installation, the viewer experiences new connections over time with the narratives just as they do within their own lives. It is my hope to ignite the power of visual awareness with this work. Awareness and reflection allow us to reinterpret and re-remember something that has been known to us but seen in a new translation.
Printmaking: Acrylic, Spray Paint, Plexiglass.

The use of circular forms in my work enhances the awareness of the cyclical nature of life. Specifically, how our inner library of iconography and memories allow us to travel backwards and forwards within ourselves through our own consciousness. These visions allow us to re-see, reconfigure and reexamine who we are today.

To create the articulation of the layers of the human experience I use a visual vocabulary or “narrative syntax” of hundreds of everyday objects transformed, connected, and repeated through different media; screen-printing, watercolor, spray paint, stencils, gouache, acrylic, ink and light-sensitive paint. The narrative starts on the circular panel, taking form as coded, ethereal landscapes through the paint wash layers.

In this artwork several of the objects glow in the dark. In addition because the artwork is floating an inch away from the wall it throws echos of shadows of the artwork, further transforming as the light changes in the room.

The created layers of the narrative syntax on this Plexiglas, are articulated  through individual screen-prints, and paintings such as a flower growing out of a house, or an airplane dragging an attached ribbon. They achieve different meanings through different juxtapositions. These symbolic images are repeated along with the painted layers in various scale, forms and media.

The combinations provide symbolic vocabulary in a variety of interpretations, inviting the viewer to assign their own associative meanings.

As the work exists in its home or public installation, the viewer experiences new connections over time with the narratives just as they do within their own lives. It is my hope to ignite the power of visual awareness with this work. Awareness and reflection allow us to reinterpret and re-remember something that has been known to us but seen in a new translation.
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VIEW IN MY ROOM

Going Around - Limited Edition of 1 Print

Isadora Stowe

United States

Printmaking, Acrylic on Other

Size: 36 W x 36 H x 0.6 D in

Ships in a Box

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SOLD
Originally listed for $2,670
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About The Artwork

Printmaking: Acrylic, Spray Paint, Plexiglass. The use of circular forms in my work enhances the awareness of the cyclical nature of life. Specifically, how our inner library of iconography and memories allow us to travel backwards and forwards within ourselves through our own consciousness. These visions allow us to re-see, reconfigure and reexamine who we are today. To create the articulation of the layers of the human experience I use a visual vocabulary or “narrative syntax” of hundreds of everyday objects transformed, connected, and repeated through different media; screen-printing, watercolor, spray paint, stencils, gouache, acrylic, ink and light-sensitive paint. The narrative starts on the circular panel, taking form as coded, ethereal landscapes through the paint wash layers. In this artwork several of the objects glow in the dark. In addition because the artwork is floating an inch away from the wall it throws echos of shadows of the artwork, further transforming as the light changes in the room. The created layers of the narrative syntax on this Plexiglas, are articulated through individual screen-prints, and paintings such as a flower growing out of a house, or an airplane dragging an attached ribbon. They achieve different meanings through different juxtapositions. These symbolic images are repeated along with the painted layers in various scale, forms and media. The combinations provide symbolic vocabulary in a variety of interpretations, inviting the viewer to assign their own associative meanings. As the work exists in its home or public installation, the viewer experiences new connections over time with the narratives just as they do within their own lives. It is my hope to ignite the power of visual awareness with this work. Awareness and reflection allow us to reinterpret and re-remember something that has been known to us but seen in a new translation.

Details & Dimensions

Printmaking:Acrylic on Other

Original:One-of-a-kind Artwork

Size:36 W x 36 H x 0.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Isadora Stowe is a multi-media artist based in New Mexico. She exhibits her work nationally and is represented in many collections across the country and in Mexico. Her artwork is in public collections at The University of New Mexico, Toas and Gallup Campuses, Western New Mexico State University in Silver City, The New Mexico State University Art Museum, in Las Cruces, The City of El Paso, Texas and the El Paso Museum of Art, Texas. Stowe has a B.A. in Cultural Anthropology and a B.F.A and M.F.A. in Painting and Drawing. She has been the recipient of several grants, scholarships and awards for her work, including a recent award for excellence from the New Mexico Committee of the National Museum of Women in the Arts. More information about her work and processes can be viewed on her website: http://www.isadorastowe.com

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