VIEW IN MY ROOM
United Kingdom
Printmaking, Aquatint on Steel
Size: 22.4 W x 23.2 H x 0.1 D in
Ships in a Box
The etching “Schatzkarte” (treasure map) is part of a series of prints including ‘Homelands’,’Towards the Sea’ and ‘Free World’ looking at the importance of locations and places in our personal life from a wider view point than just the geographical. “Schatzkarte” shows a birds-eye view of an imagined place in the format of an old battered map. I like to look at the image as a ‘roadmap’ guiding you along the challenges that life can bring. I cut the steel plate from where these etchings are printed by hand to achieve a softer outline of the image. Each print is an original, printed by me in my studio in Brighton on acid free fine art printmaking paper. The actual image size is about 45cm x 43cm with an 8cm paper margin all around.
Original Created:2008
Subjects:Landscape
Printmaking:Aquatint on Steel
Artist Produced Limited Edition of:25
Size:22.4 W x 23.2 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
My discovery of Fine Art Printmaking during the first 4 weeks of my art foundation course changed my creative practice and turned me into a printmaker for life. My journey continued through a printmaking BA (hons) and working in various studios, teaching lithography and etching. Since 2009 I have been working in my studio in central Brighton /UK where I developed acrylic resist etching techniques. The studio uses these techniques and we are continuously experimenting with new materials and ideas. My inspiration and motivation is the pure love of creating imaginative worlds that inspire the viewer to find their own stories. Those stories can feed back and form the base for a new idea, as much as a landmark, a book or an unusual event can do. Working with the steel plates and the etching materials pushes my ideas forward, sometimes in unexpected ways. Etching is a wonderful medium to allow for step-by-step building up of an image. The process of making a new etching forces me to re-think my original idea, right through till the last stage of inking the plates and pulling the print. My etchings can be described as semi-abstract landscapes of vibrant colours, with wriggling lines, floating hills, beaches and seascapes. Some of the artists I find most influential to my work are Helen Frankenthaler, Barbara Rae, David Kelso, Louise Davis amongst many others. The Austrian painter Hundertwasser’s work had a strong influence on my own practise for many years. Like me he, did not like straight lines, because they limit the imagination, and imagination is the most important source of my creativity. It is what else there can be. “And the printed result is never quite what you imagine. It is a surprise. It is an art around the corner.” Hundertwasser in “Hundertwasser’s complete graphic work 1951-1976”, page 24, Prestel Verlag
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