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INTROSPECCION 02 - Limited Edition of 1 Print

Victoria Molina

Mexico

Printmaking, Engraving on Paper

Size: 13.8 W x 17.7 H x 0.8 D in

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Originally listed for $170
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About The Artwork

INTROSPECCION 02 - Linocut engraving intervened with collage technique. Black ink on 50% cotton paper framed in gol aluminium Inspired by Gaston Bachelard's work The Poetics of Space, Victoria Molina focuses on a banal, everyday, almost superficial object; the drawers and the objects that are kept there, significant objects, useful objects, secret objects, our objects, what can our model of intimacy represent more than our drawers? Why do we keep what we keep ?. At what time in history did we stop traveling light and start the philosophy of having? the culture of the material. Victoria recovers objects from her own drawers and reveries from other drawers to intervene engravings and complete works of different formats using collage technique. Inspired by Gaston Bachelard's work The Poetics of Space, Victoria Molina focuses on a banal, everyday, almost superficial object; the drawers and the objects that are kept there, significant objects, useful objects, secret objects, our objects, what can our model of intimacy represent more than our drawers? Why do we keep what we keep ?. At what time in history did we stop traveling light and start the philosophy of having? the culture of the material. Victoria recovers objects from her own drawers and reveries from other drawers to intervene engravings and complete works of different formats using collage technique.

Details & Dimensions

Printmaking:Engraving on Paper

Original:One-of-a-kind Artwork

Size:13.8 W x 17.7 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am captivated by the exploration of accumulation and chaos as integral components of the intricate human experience. I firmly believe that the objects we gather and safeguard, as Gaston Bachelard poignantly suggests, mirror the essence of our intimate selves and our identities. Retrieving and repurposing these materials is an essential part of my artistic practice. The majority of my creations are meticulously crafted from donated magazines, generously provided by individuals close to me. These magazines are not just periodicals but repositories of personal narratives, providing insight into the lives of their collectors. Moreover, the materiality of paper holds a profound connection to my childhood. Magazines, in particular, captivate me due to their surfaces, bearing the marks of past impressions and the passage of time, endowing them with a distinct character. Through the intricate layering of paper and the creative reorganization of these heterogeneous surfaces, my aim is to evoke the multifaceted nature of the female experience. My creative endeavors do not arise from a vacuum. Engaging with collage means commencing from a source, be it an image, a texture, or even a single word. In my perspective, crafting collage necessitates stripping the constituent elements of their original context, fragmenting and reassembling them in ways that impart novel and unique meaning. In my artistic works, I aspire to challenge the conventional notion of 'timeless beauty' while venerating the natural and ceaseless process of transformation. The maternal lineage and the intricate interplay of presence and absence occupy a central role in my creations. My upbringing was marked not only by familial stories but also by profound myths that enveloped the extraordinary beauty of my maternal grandmother. These narratives persist as ethereal echoes that resonate through the corridors of time, touching subsequent generations. My grandmother, having departed at a tender age, left behind her portraits as an eternal legacy. These visual fragments have solidified her enduring youth within the collective memory. This circumstance has propelled me to scrutinize the inherently fleeting concept of beauty and to contemplate the profound recognition of our own mortality and perpetual transformation. Consequently, my body of work is punctuated by several thematic series in which I juxtapose female visages and isolated body fragments with elements of the natural world.

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