464 Views
10
View In My Room
Printmaking, Screenprinting on Paper
Size: 23.6 W x 31.5 H x 0.1 D in
Ships in a Tube
464 Views
10
Just out of reach is an archival Ltd edition print on 330 gsm Somerset Paper with hand torn edges, 60 x 80 cm. The print accurately reproduces the (sold) original painting as an archival quality giclee print adding 24 carat heavy gold detailing and varnish layers to enhance the elements within this print. Details of the varnish and gold leaf can be seen clearly in this video https://www.youtube.com/watch?v=kyV3eIFfUxA Full Details of this edition Print Medium: Giclee with Screenprinted Varnish Layers and 24 carat gold detailing Print Size: 50 x 70cm paper size 60 x 80cm Edition Size 50 prints plus 5 x Artist Proofs Signed and editioned by the artist. More information about the Print Just out of reach brings to attention the things which we desire and reminds us of the importance of the natural world. The artists background as a gold wire embroidery designer influences the choice of combining imagery from advertising and fashion with nature, and utilises the powerful 'selling gaze' to transport the viewer into a fantasy world abound with rich nature and lush vegetation. The broken shards of glass symbolise the moment of realisation, when we rediscover the beauty in our natural surroundings. The use of glazes on the shards of glass and the opulence created by the 24 ct gold detail serve to question just what riches are and what is important in life. Our greatest desires are normally the things just out of reach.
2016
Screenprinting on Paper
1
23.6 W x 31.5 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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Working primarily with calligraphy inks, graphite and liquids, such as tea, brandy and vodka Griffiths' fascination with drawing focuses on the creation and manipulation of the drawn line. Images explore human, geometric and floral forms, in a combination of both literal and abstract translation and in resposne to images and situations encountered in daily life. Images are recorded in a dreamlike sense onto the page where physical boundaries are unimportant. His work creates a journey of escapism which focuses on scenes of awe and wonder, projecting a sense of abandonment and inviting the viewer to share and explore this inner realm. Originally from Liverpool, Griffiths graduated from the Kent Institute of Art and Design in Maidstone in 1995. After completing a one-year KIAD fellowship and moving to London he served an apprenticeship at the longest-established gold wire embroidery firm in the world. Here he worked as a gold wire embroidery designer for twelve years, eventually becoming the creative director. Carne produced intricate designs for the military and the film, theatre, fashion and advertising industries. His designs were used for the uniforms in the films Valkyrie, The Last King of Scotland, and in particular his "˜Red Death Coat' was used in The Phantom of the Opera. Carne's elaborate floral designs for Asprey were included in their first ever catwalk collection and his work was featured on the embroidered cover of the 80th Royal Variety Performance programme in 2008. Since establishing his own studio in 2010, Carne has exhibited in the UK at the London Original Print Fair at the Royal Academy, the London Art Fair in both 2011 and 2012, and overseas at Urban in Ibiza in 2011 and Arts After Dark, New Orleans in 2010. Carne also collaborated with the British photographer Rankin for a feature in the 2nd edition of Hunger Magazine early in 2012. Available for commissioned work
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