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Order Chaos on Handmade Lacquered Blue Paper - Limited Edition Series of 125 Print

Dangerous Minds Artists

United Kingdom

Printmaking, Screenprinting on Paper

Size: 20.1 W x 29.9 H x 0 D in

Ships in a Tube

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About The Artwork

Order Chaos on Handmade Lacquered Paper Order Chaos, the concept behind the series of screen prints comes from the dualistic nature of the Dangerous Minds practice. Playing on the chaotic and emotional nature of the heart contrasted and balance by the ordered and analytical brain. These print are a stripped down and meditative interpretation of order and chaos, emotion and thought. Hand pulled 2 colour screen prints 76cm x 51cm each. Screen printed on to a beautiful handmade lacquered paper with a Dangerous Minds embossed seal. This paper looks like old leather. This is for 2 prints, one Order and one Chaos Limited edition print series of 125 each, signed and numbered by the artists with a certificate of authenticity. These prints will be posted in a durable cardboard tube.

Details & Dimensions

Printmaking:Screenprinting on Paper

Artist Produced Limited Edition of:125

Size:20.1 W x 29.9 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The DANGEROUS MINDS ARTISTS Studio was founded by Michael Lake-McMillan and Alan Stuart. The artists’ distinctive work constantly refers and returns to the touchstones of light, beauty in decay, abandonment and antiquated typography. Dangerous Minds practice is driven by duality. The pairs’ intuitive subliminal dialogue centres on point and counterpoint and the production of works that are, fundamentally, aesthetically appealing and which, on further inspection, inspire curiosity and cause a ripple of intellectual stimulation. Subject matter is considered in depth, deconstructed then reformulated with an essential duality at its core, often incorporating ambiguous or cryptic text elements relating to a parallel narrative. Key to their oeuvre is the juxtaposition of the immediately apparent and that which only becomes visible through physical change – either in the position of the viewer or in the lighting of the work, whether specifically engineered or occurring naturally with the transition of day into night.

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