VIEW IN MY ROOM
United States
Printmaking, Archival Print on Paper
Size: 24 W x 16 H x 0.1 D in
Ships in a Crate
The artist's daughter Elizabeth tells the story of this painting: "Paris 1988. My mother is the one in the bright gold shirt pretending to shop for flowers, and I am the one lounging on the bench in the oh-so-80's outfit. I'm not really lounging, though, because I have an incredibly important job to do. I am watching the traffic signal so I can alert my father when it turns to green and he can run back to safety from the middle of the six lanes of roundabout where he is standing to take photographs of his scene." Flower Markets are a classic Hulings subject, and in this one we are back in Paris, between the 8th and 17th arrondissements, with vendors and customers going about daily transactions. The easy-on-the eyes browns of the street, tree trunks and building are showing off the bold yellow, red, purple, blue, and white accents and the incredible detail in the textures of the flowers. Printed on paper in limited editions and signed.
Printmaking:Archival Print on Paper
Artist Produced Limited Edition of:1
Size:24 W x 16 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Clark Hulings (1922-2011) was born in Florida and raised in New Jersey. Over his lifetime, he resided in New York, Louisiana, and throughout Europe before settling in Santa Fe in 1972. Clark’s ability to see beauty in daily human gestures and activities won him the appellation “master” on numerous occasions. His celebration of textures as expressed through light, shadow, and atmosphere “describes the air itself,” according to the Christian Science Monitor. His range of subject matter was astonishing, “No one does as many things as well,” proclaimed Southwest Art. His modesty in the face of such acclaim was legendary. Throughout his career he maintained a personal profile far lower than his national reputation.
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