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Scenario Possibile 5 (Possible Scenarios 5) Print

Josephine Zayal

Italy

Printmaking, Aquatint on Paper

Size: 27.6 W x 23.6 H x 0.1 D in

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About The Artwork

Scenari Possibile 5 (Possible Scenarios 5) is the fifth in a series of six original prints of which each is a limited edition of 9. (n.3-9 will be available for purchase). A white ink is printed on an acrylic base on 50% cotton Magnani paper. Six collages left in incubation for a period of time, resuming work later by adding and subtracting parts until completion, in a black and white synthesis transferred with several layers of etching and aquatint in order to obtain a dark patina covering the scene of a veiled dream. The reality is a hypothesis. Representative spaces containing signs of a truly lived-in space, full of objects that are in their familiar place. As in a dream of an exotic journey, wild animals take possession of the spaces. Each one is a fragment of the scene, while being itself whole, complete representation of a virtue. This is not, as in the tales of Kalila wa Dimna - precise objective identities, formed from the very essence of the animal itself, it does not want to tell, but it wants to be. The expression is complete when the place [space] is full and the invasion takes over, like beauty that fills the being. Man in his absence participates in the scene through animal nature. Wild animals enjoy the domestic objects created by and for humans in a condition apparently contradictory but yet familiar, like a possible scenario -a premonitory and heavenly scenario, far from the atavistic conflict between humans and their instincts.

Details & Dimensions

Printmaking:Aquatint on Paper

Original:One-of-a-kind Artwork

Size:27.6 W x 23.6 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My aesthetic research is constructed from the contrast composed of layers –both in the work regarding painting as well as in the physical forms. It is an interior language that is pacified with the combination of colored forms requiring the participation of the mind in order to satisfy a cosmic feeling. The figure is always present with a specific interest for geometry. I believe in a pure primitivism combined with the continual research for new emotions. I am not interested in classifying the style, rather I believe in the freedom of infinite method, given (as well) our century. The final work is the result of the growing process of an artistic personality. The various technical methods and knowledge of the materials are the means to compose a game of endless ideas.

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