370 Views
11
View In My Room
Printmaking, Screenprinting on Paper
Size: 7.5 W x 9.5 H x 0.1 D in
Ships in a Box
370 Views
11
Featured in the Catalog
Featured in Inside The Studio
Artist featured in a collection
Traditionally made original handmade silkscreen prints that can be hung together to add some gorgeous muted colour to any space! ~ Set of ten original screenprints, from editions of 30 and 50 ~ On finest quality Fabriano 100% cotton paper (285gsm). A lovely heavyweight Italian paper, off white with a slight texture and deckles to top and bottom edges. ~ signed, numbered, and dated in pencil on the front, title on reverse . sold unframed ~ Paper size: 19 x 24cm (7.5 x 9.5") ~ Image size: 11.5 x 15.5 cm (4.5 x 6") This series of prints have the appearance of an actual sketch. I have created some textural detail during the process of printing to add a softer feel, slightly different to my more hard edged work. All of my prints are original artworks in their own right and over time should increase in value. This is different to 'Limited edition giclee' prints which are reproductions (inkjet prints from a computer) and not originals. Packaged with a sturdy protective cardboard backing and cellophane wrapped. I ship this flat securely wrapped between layers of stiff cardboard.
2020
Screenprinting on Paper
50
7.5 W x 9.5 H x 0.1 D in
Not Framed
Not applicable
Ships in a Box
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United Kingdom.
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United Kingdom
Emma Lawrenson ARE (British printmaker.) 1973 My passion for printmaking began in 1991.Several years later I was lucky enough to study for an M.A at the Royal College of Art, which was an experience that has shaped my life ever since. I work from my Yorkshire countryside studio, where I endeavour to create thoughtful and harmonious pieces (some geometrical, others more fluid, tactile and organic) with a carefully considered approach to form and space. I approach printmaking as a recording process of ideas, feelings and moments in time; where inspiration is gathered from the changing seasons and fabric of the landscape. I try to preserve these moments and memories through layering and hand-drawn marks, with interactions of subtle colour. I see colour as the poetic language that binds it all together and I work with it intuitively to create ‘quiet’ prints with a feeling of calm. I begin each print by hand-drawing every stencil. The drawings themselves are relatively simple in structure and execution. However it is the whole process of building up the prints, little by little, layer by layer that fascinates me. The formal qualities of printmaking and engagement with the process is what holds the beauty and soul of a finished piece. Some prints are worked into afterwards with pencils or conté crayons. I enjoy making smaller prints that act as a visual diary or ‘sketchbook’ of ideas on old pages, printed spontaneously alongside making works on paper. This process attempts to invite unknowns. It’s more organic, and ‘records’ a specific time where the work is made by chance. These pieces feed back into my work and are a secondary source of inspiration. -------------------------------------------------------------------------------------------------------------- My work has appeared in many magazines including ‘Vogue’, ‘House and Gardens’, ‘Art Review’, ‘Country Living’, ’25 Beautiful Homes’ amongst others. I have had work on film and television sets in America with Universal Studios.
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Featured in Saatchi Art's curated series, Inside The Studio
Artist featured by Saatchi Art in a collection
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