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VIEW IN MY ROOM

Side of Lamb Print - Limited Edition of 1

Nick Morris

Australia

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About The Artwork

My father was a butcher in Ballarat and as a kid we used to wander through massive fridges in a forest of carcas's. The smell, the textures are so strong in my mind. It's such a strong graphic image in my mind and this was the catalyst for the piece. Beyond this beyond this I had not realised why I had done it. It just had to be done. It was only when Ren and Kate asked for some words on each piece and meditating on it that it fell into place. This piece represents who I was a child, who I am in the present, as massive fan of eating lamb facing the reality of this decision, and who I would like to be in a philosophical sense as a vegetarian. I can't see it happening in this life time but it's an ideal that has merit. In fact this whole series of art represent's change and I only realised it.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1966, Ballarat Australia. I work on combined canvas's with David Bowers. I live in Torquay, a surf town in the south east of Australia about 1 hour from Melbourne.

NICK MORRIS & DAVE BOWERS
Present
DOUG BARTLETT

Doug Bartlett is the name given to the energy created when Nick Morris and Dave Bowers work together on the same canvas.

We open up the roller door to the garage in Torquay and let rip. With a few beers, and the music turned up, we throw ourselves into the canvases. Slabs of colour are slapped down haphazardly and images are layered on at random. A lot of this initial work wont survive the painting process because we have a rule that says: you can paint over anything, and the other one cant protest. Whole vistas appear and disappear. Hours of work can be swept away with one brutal sweep of a brush. Doug has entered the building is the only explanation required.
This process, which is confronting as well as cleansing, continues until we both agree the painting is finished. Working this way creates a feverish momentum, and we can be working on up to forty paintings at a time.
The canvases are a free-flowing exchange of random images and themes, and are applied using stencils, spray paint, silkscreen and freehand, using acrylic paint and oil stick. We glean material from mass popular culture, including quotes from celebrities and words lifted directly from spam text.

Morris I am inspired by the iconic images of my childhood in Ballarat. Australian symbols like Hoges, GT Falcons and Monaros permeated every fibre of my being. I still remember staring in awe at my fathers friends sparkly green speedboat named anyhow...
These images, along with cartoons, pop stars and religious icons, were my childhood landscape. I also loved the random patterns and textures of all the stickers on the wardrobe in my room. Some half ripped off and others half-stuck over another. These symbols and aesthetics form the basis of my art.
Our rule of painting over anything you want creates art with no boundaries, free from clinging and being too precious, and the creative process is accelerated as we bounce off each other.

Bowers Aesthetically I find inspiration comes from anywhere any time.

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