VIEW IN MY ROOM
United Kingdom
Printmaking, Screenprinting on Paper
Size: 39.4 W x 27.8 H x 0 D in
Ships in a Tube
From the Imperial Dreamcatcher Series A black and white screenprint created from a mixture of personal photography and found images. Pencil is added as another texture of shading. The light in this work falls on a portrait of Haitian deputy Jean-Baptiste Belley (c. July 1746 – August 1805) This painting was by Anne-Louis Girodet (1767-1824) a French painter and Republican who painted scenes of the fall of the Bastille and other events of the Revolution in the 1790s. Girodet posed Belley alongside a marble bust depicting the abolitionist Guillaume-Thomas Raynal. The painting has been called a “pictorial meditation on the abolition of black slavery that derives power from forceful and startling juxtapositions". It is nevertheless complex as Belley who was sold into slavery as a small child, later himself became a slave owner in a “privileged intermediate position, neither slave nor white” Nevertheless he participated in the assembly that abolished slavery in French territories and this painting was created to commemorate the event. The title The Maze comes from the script for our new film work Imperial Dreamcatchers and talks to the films topics of decolonialism and code switching.
Printmaking:Screenprinting on Paper
Artist Produced Limited Edition of:20
Size:39.4 W x 27.8 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I am known for my collaboratve exhibition making with Noorafshan Mirza (whose work is also sold on the Saatchi site). We are known for our 'socially engaged practice' which over 23 years has included many ways of working including film and video, exhibitions, interventions, newspapers, collages, wall chalking, reading groups, language exchange, performance lectures, audioworks and political theatre.
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