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Do you ever feel like screaming? This work is inspired by the idea that sometimes it is better to let emotions go even if societal norms ask us to swallow our verbal frustrations and maintain composure. 
There’s something seriously satisfying about shouting at the top of your lungs. Science has shown that screaming is good for you and your well-being and how to resist screaming in this uncertain times?
Original digital artwork printed on reused paper from books, magazines or catalogues and folded in a herringbone origami design.
Printed in a limited version of only 3, each one unique and original.
Signed and numbered with a Certificate of authenticity
610 x 850 x 42 mm - framed in a clear acrylic double tray box - ready to hang
Do you ever feel like screaming? This work is inspired by the idea that sometimes it is better to let emotions go even if societal norms ask us to swallow our verbal frustrations and maintain composure. 
There’s something seriously satisfying about shouting at the top of your lungs. Science has shown that screaming is good for you and your well-being and how to resist screaming in this uncertain times?
Original digital artwork printed on reused paper from books, magazines or catalogues and folded in a herringbone origami design.
Printed in a limited version of only 3, each one unique and original.
Signed and numbered with a Certificate of authenticity
610 x 850 x 42 mm - framed in a clear acrylic double tray box - ready to hang
Do you ever feel like screaming? This work is inspired by the idea that sometimes it is better to let emotions go even if societal norms ask us to swallow our verbal frustrations and maintain composure. 
There’s something seriously satisfying about shouting at the top of your lungs. Science has shown that screaming is good for you and your well-being and how to resist screaming in this uncertain times?
Original digital artwork printed on reused paper from books, magazines or catalogues and folded in a herringbone origami design.
Printed in a limited version of only 3, each one unique and original.
Signed and numbered with a Certificate of authenticity
610 x 850 x 42 mm - framed in a clear acrylic double tray box - ready to hang
Do you ever feel like screaming? This work is inspired by the idea that sometimes it is better to let emotions go even if societal norms ask us to swallow our verbal frustrations and maintain composure. 
There’s something seriously satisfying about shouting at the top of your lungs. Science has shown that screaming is good for you and your well-being and how to resist screaming in this uncertain times?
Original digital artwork printed on reused paper from books, magazines or catalogues and folded in a herringbone origami design.
Printed in a limited version of only 3, each one unique and original.
Signed and numbered with a Certificate of authenticity
610 x 850 x 42 mm - framed in a clear acrylic double tray box - ready to hang
Do you ever feel like screaming? This work is inspired by the idea that sometimes it is better to let emotions go even if societal norms ask us to swallow our verbal frustrations and maintain composure. 
There’s something seriously satisfying about shouting at the top of your lungs. Science has shown that screaming is good for you and your well-being and how to resist screaming in this uncertain times?
Original digital artwork printed on reused paper from books, magazines or catalogues and folded in a herringbone origami design.
Printed in a limited version of only 3, each one unique and original.
Signed and numbered with a Certificate of authenticity
610 x 850 x 42 mm - framed in a clear acrylic double tray box - ready to hang
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VIEW IN MY ROOM

origami identity #5 - Limited Edition of 3 Print

Paola Bazz

Italy

Printmaking, Paper on Cardboard

Size: 24 W x 33.5 H x 1.7 D in

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$1,510

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173 Views
9

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About The Artwork

Not available at the moment. Do you ever feel like screaming? This work is inspired by the idea that sometimes it is better to let emotions go even if societal norms ask us to swallow our verbal frustrations and maintain composure. There’s something seriously satisfying about shouting at the top of your lungs. Science has shown that screaming is good for you and your well-being and how to resist screaming in this uncertain times? Original digital artwork printed on reused paper from books, magazines or catalogues and folded in a herringbone origami design. Printed in a limited version of only 3, each one unique and original. Signed and numbered with a Certificate of authenticity 610 x 850 x 42 mm - framed in a clear acrylic double tray box - ready to hang

Details & Dimensions

Printmaking:Paper on Cardboard

Artist Produced Limited Edition of:3

Size:24 W x 33.5 H x 1.7 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am an anglo-italian artist based in Italy. I create art across the digital and physical realms exploring the concept of ‘Identity’ using different media, from 3d physical paper collage portraits to NFTs avatars (ed. The Other Avatars first NFTs Saatchi Art project). Art and Creativity have always been a form of escapism and survival for me, a kind of virtual world where to find peace. The Virtual/Digital and the Real/Physical are part of my practice. The main material for my physical works is usually recycled paper that I repurpose from magazines, books, catalogues etc.. Paper is a very interesting and complex material in itself, but it becomes more intriguing when printed, as it turns into a binder of messages. Having been trained as an architect, I can’t help myself from planning each of my works. I have developed different techniques and I like to choose the one that intuitively attracts me in that moment, to balance the other very rational approach to planning. The subjects of my works are often chosen around the topic of identity, including its continuous transformation, its intangibility and its cryptic nature. My choice of people as subjects - either ordinary or celebrities - is aimed at exploring the inadequacy of a portrait to describe that person. With an image, it is possible to fix only a fragment of the complex nature of their identity. Printed-paper steeped with fragmented messages is, therefore, the perfect medium to represent this complex, fragile and ungraspable nature. Using everyday objects such as paper, I also want people to investigate into our consumerist society where we conceive our goals in life through acquiring goods that we do not need and where our identity is defined by what we buy and exhibit. Like our identities, my portraits are fluid and mobile, and our perception of them changes as we move around them. From up close, the subjects become abstract compositions, making the viewer engage with matters beyond what is immediately visible, and through this I try to raise public awareness about other issues relating to our environment, our privacy and the complex notion of time too.

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