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Sculpture, Assembling on Fiber
Size: 9.8 W x 49.2 H x 9.8 D in
Ships in a Crate
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27 Views
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Progetto nato nel 2012 da un viaggio nella zona di Hampi, nel Sud dell’india. E' attraverso la collaborazione tra le 94 mani di 47 donne del Kishkinda Trust che con 3000 metri di filo di fibra di banana e 6 metri di seta rossa si è realizzato questa scultura. La loro manualità, le loro energie e la mia idea hanno realizzato in un senso concreto e simbolico questa colonna di filo. Partendo da 4 fili è nata la prima treccina, con 3 di queste ne è stata formata una più grande, via via fino ad arrivare a trecce sempre più grandi che sono poi confluite in una unica grande alta più di 1 metro. Arrivata in Italia è stata fermata da 2 blocchi di acciaio, come a sottolineare il contrasto tra la razionalità occidentale e la ciclicità mistica dell’oriente. La rete creata da quei fili e la collaborazione tra loro unita al mio pensiero ha costituito una treccia potenzialmente infinita. La treccia è uno di quei gesti che si fanno da bambini per imitare l'adulto e per mettere in gioco la propria capacità manuale.
2012
Assembling on Fiber
One-of-a-kind Artwork
9.8 W x 49.2 H x 9.8 D in
Not applicable
Yes
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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I come from two generations of painters and in my turn, I have tried to 'be' an artist by painting and participating in the art world. In 1996, even before completing my training as a Master of Art in Painting, I started exhibiting at public institutions and galleries and had my first teaching experiences. I have always felt the need to get out of the everyday: I have stayed many times in India, Brazil and Morocco for several months where I realised artistic and didactic projects. On my path of artistic and personal growth, I learnt to use my wounds to try to help others through art and beauty. I realised that by joining with high energies I could give myself to people and the world to 'be' an artist. I thus created a path by no longer thinking through the dynamics of an oppressive system, but by going towards a world in need of transformation and awakening. For me, the way to go in that direction is linked to the world of gaming: through our hands and bodies we live the experience that moves the invisible parts of us. Over time, my art has not remained still in itself, but has evolved to become 'social art' in the sense that the great German artist Joseph Buys intended: an art opposed to individualism that espouses the concept of democratisation and opens up to the public, to the group, to the shared realisation of the work as in my latest works. Today I aspire to the 'spiritual of art' that Kandinsky referred to, which leads to change and the evolution of the self. I currently work in education and training with children, adults and people with disabilities. I invent, construct and use my games together with art therapy as a method of personal and group development.
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