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The reception series gives more weight to the concave voids, accenting emptiness, space and silence. The sculptures are born from explorations into structural balance, human nature, physiology and the beauty of life/nature. I start in the sketchbook developing ideas and searching for dynamic forms that possess character and a deep sense of nature. I elaborate on past forms, introduce new concepts and mix ideas during the exploration stage. 

Reception No.2 in Red Cedar uses four pieces of wood planed flat and joined together with glue and clamps. I use a hand plane to flatten the sides and a high precision square to check for true. I consider growth ring orientation and colouration when joining pieces. A variety of hand tools are used to make this. They include gouges, chisels, saws, a drawknife, a rasp and a file. The sculpture is smooth finished and waxed for an enriched colour and sheen. 

It's a freestanding form and can be viewed from all angles. These sculptures look great grouped together, in lines or by themselves. When putting them in groups they interact with each other forming new aesthetic possibilities.
The reception series gives more weight to the concave voids, accenting emptiness, space and silence. The sculptures are born from explorations into structural balance, human nature, physiology and the beauty of life/nature. I start in the sketchbook developing ideas and searching for dynamic forms that possess character and a deep sense of nature. I elaborate on past forms, introduce new concepts and mix ideas during the exploration stage. 

Reception No.2 in Red Cedar uses four pieces of wood planed flat and joined together with glue and clamps. I use a hand plane to flatten the sides and a high precision square to check for true. I consider growth ring orientation and colouration when joining pieces. A variety of hand tools are used to make this. They include gouges, chisels, saws, a drawknife, a rasp and a file. The sculpture is smooth finished and waxed for an enriched colour and sheen. 

It's a freestanding form and can be viewed from all angles. These sculptures look great grouped together, in lines or by themselves. When putting them in groups they interact with each other forming new aesthetic possibilities.
The reception series gives more weight to the concave voids, accenting emptiness, space and silence. The sculptures are born from explorations into structural balance, human nature, physiology and the beauty of life/nature. I start in the sketchbook developing ideas and searching for dynamic forms that possess character and a deep sense of nature. I elaborate on past forms, introduce new concepts and mix ideas during the exploration stage. 

Reception No.2 in Red Cedar uses four pieces of wood planed flat and joined together with glue and clamps. I use a hand plane to flatten the sides and a high precision square to check for true. I consider growth ring orientation and colouration when joining pieces. A variety of hand tools are used to make this. They include gouges, chisels, saws, a drawknife, a rasp and a file. The sculpture is smooth finished and waxed for an enriched colour and sheen. 

It's a freestanding form and can be viewed from all angles. These sculptures look great grouped together, in lines or by themselves. When putting them in groups they interact with each other forming new aesthetic possibilities.
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Abstract Wood Sculpture - Reception No.2 - Carved From Western Red Cedar With Hand Tools - Freestanding, Modern, Contemporary, Original Sculpture

Mike Sasaki

Canada

Sculpture, Mineral Oil on Wood

Size: 7 W x 5 H x 3.5 D in

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SOLD
Originally listed for $690
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693 Views
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About The Artwork

The reception series gives more weight to the concave voids, accenting emptiness, space and silence. The sculptures are born from explorations into structural balance, human nature, physiology and the beauty of life/nature. I start in the sketchbook developing ideas and searching for dynamic forms that possess character and a deep sense of nature. I elaborate on past forms, introduce new concepts and mix ideas during the exploration stage. Reception No.2 in Red Cedar uses four pieces of wood planed flat and joined together with glue and clamps. I use a hand plane to flatten the sides and a high precision square to check for true. I consider growth ring orientation and colouration when joining pieces. A variety of hand tools are used to make this. They include gouges, chisels, saws, a drawknife, a rasp and a file. The sculpture is smooth finished and waxed for an enriched colour and sheen. It's a freestanding form and can be viewed from all angles. These sculptures look great grouped together, in lines or by themselves. When putting them in groups they interact with each other forming new aesthetic possibilities.

Details & Dimensions

Sculpture:Mineral Oil on Wood

Original:One-of-a-kind Artwork

Size:7 W x 5 H x 3.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mike Sasaki was born in Toronto, Canada. He graduated from the Bachelor of Design Honours program at York University / Sheridan College in 2005. He lived in Tokyo, Japan for 5 years where he was immersed in traditional and modern Japanese culture. The martial arts philosophies have played an important role in his artistic development. In his search for a hands on approach he has found sculpting in wood a wonderful solution. He is currently living in Metro Vancouver and focusing on the metamorphic line of abstract wood forms.

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