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Unsought Terminus No.1 is made from Western Red Cedar. This piece of wood is quite light in colour for WRC giving the piece a very creamy desaturated look. There are also some darker specks streaking the wood around the main convex area which in contrast to the light colour add some visual texturization. I think the colouration of the wood suits the piece well with the mysterious nature of the concept. In the search for insights into the nature of reality I find we tend to have a predetermined goal which does not lead to the realization because the goal itself is an illusion constructed from the current mind. I notice, the necessary condition for the discovery of something "totally new" is in an ending of something which was preventing the insight from happening. This process of negation is terribly interesting to me and it has become the subject of this sculpture. The "spout" represents the unthought of direction of clarity leading out of the habitual and stagnating thought pattern.
Unsought Terminus No.1 is made from Western Red Cedar. This piece of wood is quite light in colour for WRC giving the piece a very creamy desaturated look. There are also some darker specks streaking the wood around the main convex area which in contrast to the light colour add some visual texturization. I think the colouration of the wood suits the piece well with the mysterious nature of the concept. In the search for insights into the nature of reality I find we tend to have a predetermined goal which does not lead to the realization because the goal itself is an illusion constructed from the current mind. I notice, the necessary condition for the discovery of something "totally new" is in an ending of something which was preventing the insight from happening. This process of negation is terribly interesting to me and it has become the subject of this sculpture. The "spout" represents the unthought of direction of clarity leading out of the habitual and stagnating thought pattern.
Unsought Terminus No.1 is made from Western Red Cedar. This piece of wood is quite light in colour for WRC giving the piece a very creamy desaturated look. There are also some darker specks streaking the wood around the main convex area which in contrast to the light colour add some visual texturization. I think the colouration of the wood suits the piece well with the mysterious nature of the concept. In the search for insights into the nature of reality I find we tend to have a predetermined goal which does not lead to the realization because the goal itself is an illusion constructed from the current mind. I notice, the necessary condition for the discovery of something "totally new" is in an ending of something which was preventing the insight from happening. This process of negation is terribly interesting to me and it has become the subject of this sculpture. The "spout" represents the unthought of direction of clarity leading out of the habitual and stagnating thought pattern.
Unsought Terminus No.1 is made from Western Red Cedar. This piece of wood is quite light in colour for WRC giving the piece a very creamy desaturated look. There are also some darker specks streaking the wood around the main convex area which in contrast to the light colour add some visual texturization. I think the colouration of the wood suits the piece well with the mysterious nature of the concept. In the search for insights into the nature of reality I find we tend to have a predetermined goal which does not lead to the realization because the goal itself is an illusion constructed from the current mind. I notice, the necessary condition for the discovery of something "totally new" is in an ending of something which was preventing the insight from happening. This process of negation is terribly interesting to me and it has become the subject of this sculpture. The "spout" represents the unthought of direction of clarity leading out of the habitual and stagnating thought pattern.
Unsought Terminus No.1 is made from Western Red Cedar. This piece of wood is quite light in colour for WRC giving the piece a very creamy desaturated look. There are also some darker specks streaking the wood around the main convex area which in contrast to the light colour add some visual texturization. I think the colouration of the wood suits the piece well with the mysterious nature of the concept. In the search for insights into the nature of reality I find we tend to have a predetermined goal which does not lead to the realization because the goal itself is an illusion constructed from the current mind. I notice, the necessary condition for the discovery of something "totally new" is in an ending of something which was preventing the insight from happening. This process of negation is terribly interesting to me and it has become the subject of this sculpture. The "spout" represents the unthought of direction of clarity leading out of the habitual and stagnating thought pattern.
Unsought Terminus No.1 is made from Western Red Cedar. This piece of wood is quite light in colour for WRC giving the piece a very creamy desaturated look. There are also some darker specks streaking the wood around the main convex area which in contrast to the light colour add some visual texturization. I think the colouration of the wood suits the piece well with the mysterious nature of the concept. In the search for insights into the nature of reality I find we tend to have a predetermined goal which does not lead to the realization because the goal itself is an illusion constructed from the current mind. I notice, the necessary condition for the discovery of something "totally new" is in an ending of something which was preventing the insight from happening. This process of negation is terribly interesting to me and it has become the subject of this sculpture. The "spout" represents the unthought of direction of clarity leading out of the habitual and stagnating thought pattern.
Unsought Terminus No.1 is made from Western Red Cedar. This piece of wood is quite light in colour for WRC giving the piece a very creamy desaturated look. There are also some darker specks streaking the wood around the main convex area which in contrast to the light colour add some visual texturization. I think the colouration of the wood suits the piece well with the mysterious nature of the concept. In the search for insights into the nature of reality I find we tend to have a predetermined goal which does not lead to the realization because the goal itself is an illusion constructed from the current mind. I notice, the necessary condition for the discovery of something "totally new" is in an ending of something which was preventing the insight from happening. This process of negation is terribly interesting to me and it has become the subject of this sculpture. The "spout" represents the unthought of direction of clarity leading out of the habitual and stagnating thought pattern.
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Abstract Wood Sculpture - Unsought Terminus No.1 - Western Red Cedar - Freestanding, Modern, Contemporary, Original, Dynamic Sculpture

Mike Sasaki

Canada

Sculpture, Wood on Wood

Size: 5.5 W x 5 H x 4 D in

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Originally listed for $605
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442 Views
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About The Artwork

Unsought Terminus No.1 is made from Western Red Cedar. This piece of wood is quite light in colour for WRC giving the piece a very creamy desaturated look. There are also some darker specks streaking the wood around the main convex area which in contrast to the light colour add some visual texturization. I think the colouration of the wood suits the piece well with the mysterious nature of the concept. In the search for insights into the nature of reality I find we tend to have a predetermined goal which does not lead to the realization because the goal itself is an illusion constructed from the current mind. I notice, the necessary condition for the discovery of something "totally new" is in an ending of something which was preventing the insight from happening. This process of negation is terribly interesting to me and it has become the subject of this sculpture. The "spout" represents the unthought of direction of clarity leading out of the habitual and stagnating thought pattern.

Details & Dimensions

Sculpture:Wood on Wood

Original:One-of-a-kind Artwork

Size:5.5 W x 5 H x 4 D in

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Mike Sasaki was born in Toronto, Canada. He graduated from the Bachelor of Design Honours program at York University / Sheridan College in 2005. He lived in Tokyo, Japan for 5 years where he was immersed in traditional and modern Japanese culture. The martial arts philosophies have played an important role in his artistic development. In his search for a hands on approach he has found sculpting in wood a wonderful solution. He is currently living in Metro Vancouver and focusing on the metamorphic line of abstract wood forms.

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