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akar-kar nyolpe #2 Sculpture

Suvi Wahyudianto

Indonesia

Sculpture, Canvas

Size: 137.2 W x 188 H x 12.7 D cm

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
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About Madurese philosophy (clawing and pecking) is a survival instinct and work ethic of the Madurese in the overseas. The work ethic of Madurese who has been known to be very high because instinctively for those who work is part of his ibadhahnya and obligations. This very high work ethic is accomp...

Year Created:

2017

Subject:
Styles:
Method:

Sculpture, Canvas

Rarity:

One-of-a-kind Artwork

Size:

137.2 W x 188 H x 12.7 D cm

Ready to Hang:

Not Applicable

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Indonesia.

Need more information?

Need more information?

Suvi Wahyudianto (Bangkalan, Madura, 28 April 1992) is an emerging artist, graduated from Fine Arts Education at Surabaya State University (UNESA). He is now active in Yogyakarta and Madura. His works focus on efforts to unravel the identity and culture of Madura. In processing his ideas, Suvi examines the problems of daily life, memory, and historical studies that function as the background of events. His ideas are channeled through various techniques and media, but he often tries to make work that is contemplative and poetic. In 2018, Suvi created a work titled “Angst” which presented his perspective on the history of ethnic conflicts that occurred in Sampit and Sambas (Sempadung). This work earned him the UOB Painting of the Year Award 2018 in Indonesia and Southeast Asian. Suvi also actively participated in various group exhibitions, biennales, and residencies. He has held solo exhibition, among other “Homo Sapirin” (2016) and “Onggha” (2017).

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