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ANIMA 10 (Rosa e Celeste) Sculpture

Marjan Fahimi

Italy

Sculpture, Resin on Wood

Size: 13 W x 15.4 H x 0 D in

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Originally listed for $1,060
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About The Artwork

Anima 10 is a wall sculpture created in 2019 for a site specific installation within the artist's solo exhibition. work made of stainless steel, wood and resin consists of a steel box where inside it houses a pictorial work made with mixed techniques and resin and is reflected infinitely inside the box through the internal mirrored walls and represents the immensity of the soul enclosed within our body, something intangible that finds a home in a physical dimension by emanating its own light, an effect that is created through the light reflected on the stainless steel that creates a scenic effect on the wall. the work is present in the catalog "FIGURATIVE ABSTRACTION" by ARBOR SAPIENTAE EDITORE.

Details & Dimensions

Sculpture:Resin on Wood

Original:One-of-a-kind Artwork

Size:13 W x 15.4 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Marjan Fahimi is an Iranian artist born in Tehran in 1982. At the age of 15 she began attending painting courses at Hossein Maher’s Studio and after graduation she started studies in Italian Language and Literature at the University of Tehran; in the meantime she participated in several group exhibitions in some of the most important galleries of the Tehran art scene such as Elahe Art Gallery, Bahman Cultural Center, Robat Art Gallery. Fahimi has also realized two solo exhibitions: in 2003 with the “Urban Details” project at Atbin Art Gallery and in 2004 with the exhibition “Birds” at Seyhoon Art Gallery. The latter period of work is particularly influenced by the city and its landscapes, details and urban views seen so closely as to become abstract images, the only creatures to animate the scene are the birds, almost always sitting to contemplate the passageways of the concrete city. In 2004 she came to Rome to study architecture. Being in contact with Renaissance and Baroque art changed her artistic vision in a perceptible way; subsequently she moved to the roman countryside, moving closer to nature and undertaking research on the naturalistic component of the landscape and its poetics, interpreting it in an abstract manner where the subjects are mainly characterized by views that highlight the main atmospheric phenomena: wind, clouds, rain and light. Her search for an equilibrium between figurative and abstract continues, exploring a global vision of painting that proposes both the realism of the form and the lyric of sentiment. Stylistic research is combined with an experimental technique, mostly layered. The use of transparent resin in her artistic production is quite recent: she experimented for the first time with it in 2016. She uses transparent resin in order to encapsulate the pictorial moment and makes the space brighter, thus accentuating the depth of the work as well as the sensorial perception that comes from the stratification of the color.

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