VIEW IN MY ROOM
United States
Sculpture, Clay on Ceramic
Size: 9 W x 15 H x 7 D in
Ships in a Crate
I am experimenting with the notion of the female gaze and it’s link to female monstrosity within a historical context. The gorgon assumes godlike attributes, to imply divine birth and protection, her piercing gaze has the power to turn those who gaze upon her to stone. For Freud the Medusa a was a “petrifying force,” reducing men to hysteria based of a sexual fear of the defiant female body. A fear of “enslavement, seduction and the loss of manhood; and Perseus removes the “monstrous” threat of the woman's direct stare. Then he is now free to look at her without her looking back at him. In this case, the Medusa’s uncanniness exposes the presumed familiarity of symbolic violence and its reaction to the female and its link to monstrosity. When women fail to obey they lose their head, this can only be avoided on condition of total submission. It suggests a fear of female power and the anti-female message in Greek myth and culture, that still persists to this day. I have created 10 shields in the Beholder edition, they are mounted on the wall with a French Cleat hanging system, which is included.
Sculpture:Clay on Ceramic
Original:One-of-a-kind Artwork
Size:9 W x 15 H x 7 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Stephanie E. Hanes was born in Alberta, Canada in 1985. She is a sculptor that is recently an MFA Graduate of Ceramics at the Rhode Island School Of Design in 2017. In 2009, she received a BFA Degree from Nova Scotia College of Art and Design University in Halifax, Canada. Stephanie has been awarded the 2017 Toby Devan Lewis Fellowship for exceptional promise, as well as the Alberta Arts Graduate Scholarship. Her work has exhibited internationally with a solo show at C.R.E.T.A Rome Gallery in Italy. Her drawings and sculptures have shown across Canada: at The Anna Leonowens Gallery and Vessel Gallery In Halifax, and in Alberta at Kaasa Gallery, EPCOR Centre For The Performing Arts, and The Red Deer District Museum & Art Gallery. In the USA her ceramic sculptures have been exhibited In New York City at The Untitled Space Gallery, and in Rhode Island, at Sol Koffler Gallery, Exposé Gallery, Woods-Gerry Gallery and the RISD Museums Gelman Gallery. Stephanie is publicly collected by Red Deer College in Alberta, Canada, and her artworks have also been privately collected throughout Canada and the United States.
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