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Birds Sculpture

Saba Masoumian

Italy

Sculpture, Paint on Iron

Size: 19.7 W x 19.7 H x 4.5 D in

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204 Views
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About The Artwork

WORK ACCOMPANIED BY CERTIFICATE OF AUTHENTICITY AND ORIGINAL CATALOGUE OF IL SOGNO DEL CORPO SOLO EXHIBITION Name: Birds Year: 2017 Series: 2nd Number: 6 Pieces: 8 CRITICAL TEXTS “Saba brings into dialogue the domestic intimacy with pieces of nature, through which a sense of transience of the environments and objects that inhabit in the memory of her Iranian origins resurface.” Francesca Monti, supervisor Francesca Guerisoli, L’arte pubblica nei borghi italiani, il caso del Premio d’arte Città di Treviglio e del Concorso Giovani Talenti, Università degli Studi Milano- Bicocca, Milan, 2017 “It is a fragmented and mutilated (woman’s) body, caught in extreme situations that show its fragility and insecurity, even though in turn it is stretched out to take care others’ weakness. The female figures have neither hands nor feet, they perform mechanical gestures, with no emotion on the abstract and polished faces, similar to the eggs that often inhabited the previous Boxes.” Sara Fontana, Saba Masoumian, Il sogno del corpo, Premio Città di Treviglio, Treviglio, 2017 “Saba Masoumian with Il sogno del corpo seems to take the flight also thanks to this exhibition: the expressive style surpasses the walls that have often been surrounding her works (…) and opens to a new figuration.” Giuseppe Pezzoni, Saba Masoumian, Il sogno del corpo, Premio Città di Treviglio, Treviglio, 2017 REVIEWS “An exhibition that is perhaps provocative, unconventional, but which completely expresses the personality of the artist. (…) «In the art of Saba Masoumian is reprised and reanalyzed the figure of the woman, which is put into dialogue and in communication with animals or everyday objects that are usually referred to the female world, such as the red shoes or cigarettes. Her installations are all presented as open boxes, like little theaters, where through the miniatures is built a story», explained Sara Fontana.” Signed as (stg), La donna nelle opere «forti» di Saba Masoumian, Giornale di Treviglio, October 20, 2017 “The subject matter around which the new works of the artist revolve (…) is that of maternity, declined in a sequence of plastic groups dense of pathos and poetry: fragile and light oneiric tales, composed of fragmentary sculptural elements, gravitating around the female body.” Laura Fagnani, ‘Il sogno del Corpo’ di Saba Masoumian: inaugurazione, Il Popolo Cattolico, October 14, 2017 SOLO EXHIBITIONS Il sogno del corpo, curated by Sara Fontana, Sala Crociera of Centro Civico Culturale and Museo Civico Ernesto e Teresa Della Torre, Treviglio, 2017 CATALOGUES Saba Masoumian, Il sogno del corpo, Premio Città di Treviglio, Treviglio, 2017 FLIPBOOKS Saba Masoumian, Il sogno del corpo: http://www.calameo.com/books/0053794285e78658c5bee Scrapbook: http://www.calameo.com/books/005379428f3689e9fec18

Details & Dimensions

Sculpture:Paint on Iron

Original:One-of-a-kind Artwork

Size:19.7 W x 19.7 H x 4.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Tehran in 1982, lives and works in Bologna, and is represented by Azad Art Gallery in Tehran, XVA Gallery in Dubai and Villa Contemporanea in Monza; her works are in the public collections of Museo Civico Ernesto e Teresa Della Torre in Treviglio, Musei Civici di Monza-Casa degli Umiliati in Monza and Collezione Cartiere del Polesine in Adria, and in the private collections of Pietro Luigi Draghi in Venice, Saeb Eigner in London, Mehrdad Mahoutforoush in Tehran and Omid Tehrani in Tehran; was guest at A,M,O Arte Marche Oltre biennial kermesse in Cagli, Fano, Pergola, Pesaro and Senigallia in 2016, and invited at the new residential format of Premio Arti Visive San Fedele of Centro Culturale San Fedele in Milan in 2015 and 2016; was published on Art of the Middle East, Modern and Contemporary Art of the Arab World and Iran wrote by Saeb Eigner with Isabelle Caussé and Christopher Masters foreword by Zaha Hadid for Merrell Publishers of London and New York in 2010, 2012 and 2015’s revised and expanded edition, also in French as L’Art du Moyen-Orient, L’art moderne et contemporain du monde arabe et de l’Iran for Éditions du Toucan of Paris in 2010, and awarded with Premio d’arte Città di Treviglio at Concorso Giovani Talenti in Treviglio and Premio San Fedele at Premio Arti Visive San Fedele in Milan in 2016, and Premio d’Arte Città di Monza at Biennale Giovani Monza in Monza and 4th edition of Premio O.R.A. of Associazione Culturale Radar in San Donà di Piave in 2015.

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