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BLABLA / Shape Red 
Blabla, (onomatopoeic expression, of international use, to indicate a speech or a vain chatter, without construct), conventional symbol of appearance, of external behavior and of the denial of existence, assumes and interprets the reflected thought of our technological civilization and digital. The series of bas-reliefs "BLABLA Shape" is part of a series of works characterized by homogeneity of themes and physical similarity in an ordered and continuous succession of elements of the same kind and by a research on materials and monochromatic solutions whose only constant is the presence of the same steretyped element: BLABLA; Lexical decomposition of the futile and the banal
Title: BLABLA / Shape Red 
Bas-relief technique: Cut on phenolic birch plywood panel, bright water-based enamel color
Bas-relief size: cm. 60 x 64 x 2.5 
Year: 2020
Weight: Kg 3,5

BLABLA/Shape Red 
Blabla, (espressione onomatopeica, di uso internazionale, per indicare un discorso o un chiacchiericcio vano, senza costrutto), simbolo convenzionale dell’apparenza, del comportamento esteriore e della negazione dell’esistenza, assume e interpreta il pensiero riflesso della nostra civiltà tecnologica e digitale. La serie di bassorilievi “BLABLA Shape” fa parte di una serie di opere caratterizzate da omogeneità di temi e somiglianza fisica in un succedersi ordinato e continuo di elementi dello stesso genere e da una ricerca su  materiali e soluzioni monocromatiche la cui unica costante è la presenza dello stesso elemento steretipato: BLABLA; Decomposizione lessicale del futile e del banale
Titolo: BLABLA/Shape Red 
Tecnica Bassorilievo: Taglio su pannello multistrato fenolico di betulla, colori smalto all'acqua brillante
Dimensione bassorilievo: cm. 60 x 64 x 2,5 
Anno: 2020
Peso: Kg 3,5
BLABLA / Shape Red 
Blabla, (onomatopoeic expression, of international use, to indicate a speech or a vain chatter, without construct), conventional symbol of appearance, of external behavior and of the denial of existence, assumes and interprets the reflected thought of our technological civilization and digital. The series of bas-reliefs "BLABLA Shape" is part of a series of works characterized by homogeneity of themes and physical similarity in an ordered and continuous succession of elements of the same kind and by a research on materials and monochromatic solutions whose only constant is the presence of the same steretyped element: BLABLA; Lexical decomposition of the futile and the banal
Title: BLABLA / Shape Red 
Bas-relief technique: Cut on phenolic birch plywood panel, bright water-based enamel color
Bas-relief size: cm. 60 x 64 x 2.5 
Year: 2020
Weight: Kg 3,5

BLABLA/Shape Red 
Blabla, (espressione onomatopeica, di uso internazionale, per indicare un discorso o un chiacchiericcio vano, senza costrutto), simbolo convenzionale dell’apparenza, del comportamento esteriore e della negazione dell’esistenza, assume e interpreta il pensiero riflesso della nostra civiltà tecnologica e digitale. La serie di bassorilievi “BLABLA Shape” fa parte di una serie di opere caratterizzate da omogeneità di temi e somiglianza fisica in un succedersi ordinato e continuo di elementi dello stesso genere e da una ricerca su  materiali e soluzioni monocromatiche la cui unica costante è la presenza dello stesso elemento steretipato: BLABLA; Decomposizione lessicale del futile e del banale
Titolo: BLABLA/Shape Red 
Tecnica Bassorilievo: Taglio su pannello multistrato fenolico di betulla, colori smalto all'acqua brillante
Dimensione bassorilievo: cm. 60 x 64 x 2,5 
Anno: 2020
Peso: Kg 3,5
BLABLA / Shape Red 
Blabla, (onomatopoeic expression, of international use, to indicate a speech or a vain chatter, without construct), conventional symbol of appearance, of external behavior and of the denial of existence, assumes and interprets the reflected thought of our technological civilization and digital. The series of bas-reliefs "BLABLA Shape" is part of a series of works characterized by homogeneity of themes and physical similarity in an ordered and continuous succession of elements of the same kind and by a research on materials and monochromatic solutions whose only constant is the presence of the same steretyped element: BLABLA; Lexical decomposition of the futile and the banal
Title: BLABLA / Shape Red 
Bas-relief technique: Cut on phenolic birch plywood panel, bright water-based enamel color
Bas-relief size: cm. 60 x 64 x 2.5 
Year: 2020
Weight: Kg 3,5

BLABLA/Shape Red 
Blabla, (espressione onomatopeica, di uso internazionale, per indicare un discorso o un chiacchiericcio vano, senza costrutto), simbolo convenzionale dell’apparenza, del comportamento esteriore e della negazione dell’esistenza, assume e interpreta il pensiero riflesso della nostra civiltà tecnologica e digitale. La serie di bassorilievi “BLABLA Shape” fa parte di una serie di opere caratterizzate da omogeneità di temi e somiglianza fisica in un succedersi ordinato e continuo di elementi dello stesso genere e da una ricerca su  materiali e soluzioni monocromatiche la cui unica costante è la presenza dello stesso elemento steretipato: BLABLA; Decomposizione lessicale del futile e del banale
Titolo: BLABLA/Shape Red 
Tecnica Bassorilievo: Taglio su pannello multistrato fenolico di betulla, colori smalto all'acqua brillante
Dimensione bassorilievo: cm. 60 x 64 x 2,5 
Anno: 2020
Peso: Kg 3,5
BLABLA / Shape Red 
Blabla, (onomatopoeic expression, of international use, to indicate a speech or a vain chatter, without construct), conventional symbol of appearance, of external behavior and of the denial of existence, assumes and interprets the reflected thought of our technological civilization and digital. The series of bas-reliefs "BLABLA Shape" is part of a series of works characterized by homogeneity of themes and physical similarity in an ordered and continuous succession of elements of the same kind and by a research on materials and monochromatic solutions whose only constant is the presence of the same steretyped element: BLABLA; Lexical decomposition of the futile and the banal
Title: BLABLA / Shape Red 
Bas-relief technique: Cut on phenolic birch plywood panel, bright water-based enamel color
Bas-relief size: cm. 60 x 64 x 2.5 
Year: 2020
Weight: Kg 3,5

BLABLA/Shape Red 
Blabla, (espressione onomatopeica, di uso internazionale, per indicare un discorso o un chiacchiericcio vano, senza costrutto), simbolo convenzionale dell’apparenza, del comportamento esteriore e della negazione dell’esistenza, assume e interpreta il pensiero riflesso della nostra civiltà tecnologica e digitale. La serie di bassorilievi “BLABLA Shape” fa parte di una serie di opere caratterizzate da omogeneità di temi e somiglianza fisica in un succedersi ordinato e continuo di elementi dello stesso genere e da una ricerca su  materiali e soluzioni monocromatiche la cui unica costante è la presenza dello stesso elemento steretipato: BLABLA; Decomposizione lessicale del futile e del banale
Titolo: BLABLA/Shape Red 
Tecnica Bassorilievo: Taglio su pannello multistrato fenolico di betulla, colori smalto all'acqua brillante
Dimensione bassorilievo: cm. 60 x 64 x 2,5 
Anno: 2020
Peso: Kg 3,5
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BLABLA/Shape Red Sculpture

Francesco Alpigiano

Italy

Sculpture, Wood on Wood

Size: 25.2 W x 23.6 H x 1 D in

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About The Artwork

BLABLA / Shape Red Blabla, (onomatopoeic expression, of international use, to indicate a speech or a vain chatter, without construct), conventional symbol of appearance, of external behavior and of the denial of existence, assumes and interprets the reflected thought of our technological civilization and digital. The series of bas-reliefs "BLABLA Shape" is part of a series of works characterized by homogeneity of themes and physical similarity in an ordered and continuous succession of elements of the same kind and by a research on materials and monochromatic solutions whose only constant is the presence of the same steretyped element: BLABLA; Lexical decomposition of the futile and the banal Title: BLABLA / Shape Red Bas-relief technique: Cut on phenolic birch plywood panel, bright water-based enamel color Bas-relief size: cm. 60 x 64 x 2.5 Year: 2020 Weight: Kg 3,5 BLABLA/Shape Red Blabla, (espressione onomatopeica, di uso internazionale, per indicare un discorso o un chiacchiericcio vano, senza costrutto), simbolo convenzionale dell’apparenza, del comportamento esteriore e della negazione dell’esistenza, assume e interpreta il pensiero riflesso della nostra civiltà tecnologica e digitale. La serie di bassorilievi “BLABLA Shape” fa parte di una serie di opere caratterizzate da omogeneità di temi e somiglianza fisica in un succedersi ordinato e continuo di elementi dello stesso genere e da una ricerca su materiali e soluzioni monocromatiche la cui unica costante è la presenza dello stesso elemento steretipato: BLABLA; Decomposizione lessicale del futile e del banale Titolo: BLABLA/Shape Red Tecnica Bassorilievo: Taglio su pannello multistrato fenolico di betulla, colori smalto all'acqua brillante Dimensione bassorilievo: cm. 60 x 64 x 2,5 Anno: 2020 Peso: Kg 3,5

Details & Dimensions

Sculpture:Wood on Wood

Original:One-of-a-kind Artwork

Size:25.2 W x 23.6 H x 1 D in

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He began his training as an advertising graphic taking care of the image of the musical and cultural events of various associations of his city Nuoro. At the same time he began his artistic career experimenting pictorial techniques on alphanumeric typographic language. What interests him are some of the printing methods and in particular the typographic technique of the "relief form composed of movable type" (type), from which it draws inspiration; inspiration that begins to manifest itself in the works presented at the first national exhibition in which it participates, "Artefiera" of 1992 in Florence. His work is also appreciated by critics who recognize the award as the best young person under 25. The remarkable confirmation and the conceptual impact of pictorial representations of the symbols commonly called Type, had, and has, a primary importance in the symbolic research of the creative path elaborated by the artist in the following years. The method "Gutemberg - universal and primordial symbol of mass communication not only in the dissemination of culture, but also in the social and civil formation of peoples and in the progress of communication itself - is contextualized and used in pictorial representation, as a universal idiom of visual communication : the Type graphic sign evokes the immediate visual link between the object in its materiality (graphic sign engraved on a wooden parallelepiped) and its pictorial representation, which becomes the basis of global visual communication. In the work TypeCity, engobed red-clay bas-relief, created in 2003 and presented at the most important ceramics competition in Sardinia, the letters and numbers give a peculiar physiognomy to the work that takes on its characteristic alphanumeric code through the use of multiple characters types of different sizes and shapes which alternate and follow one another, in an absolutely random order, but in perfect compositional balance. Recent example of the use of Type is given by the pictorial series "Letters" started in 2008 with progressive numbering 01-236 and still in progress today. The fundamental step that broadens the cultural and artistic path of Francesco Alpigiano takes place in 1999 with the winning of the sculpture competition organized by the Costantino Nivola Foundation.

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