Brânn | Saône de Stalh Sculpture

The sculptures of this young artist are rooted in secret obsessions that come to life the natural movements of the animal. The language of the material reads mainly through the structure of the work: in the hands of Saône From Stahl, the horse's body breathing: instinct and imagination come together to invent extra presence. It is precisely the combination of appearance and testimony of the love of powerful forms that alternates in this abrupt research, conscious, interviewing the man on his animal. During this ceremony to create chiaroscuro, the artist allows the line to clear his incredible strength. He must give up pins space and time to reach the shores of light and shadow. The artist manages to create volumes that trace the route between past and present: it revives the fossil record, the material lives and breathes ... Composed of a multi-element, the artist condenses a formal vocabulary linking form and content. This is probably the same balance that motivates creative to present his work by betting that a good linking subjects may serve as an explanation: it converts and didactic obsession fresh pedagogy, in favor of a visceral feeling for the viewer: it leaves soak in the wild, elemental dynamic of his works. It can be let go to feel the sense of freedom, the power of the animal, both earthy and mineral, seeming to come straight black lava Lengai ... The structure is movement and balance, suspension momentum, stopping in the consciousness of time ... texture harshness, the roughness of the primary magma: the beginning of the world. This mist-between time to time and material arise Topics: storm night and sprinkled with ashes, instinctive and air, they take us back symbolically in a populated collective unconscious of dreams and mystery ...