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circle of life Sculpture

Ross Bostock

South Africa

Sculpture, Wood

Size: 145 W x 69 H x 13 D cm

Ships in a Crate

This artwork is not for sale.

216 Views

1

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Collection of found termite sculptured wood selected to show the circle of life, starting from a simple seed which develops and grows to maturity and finally returning to its original form. Specimens are mounted to a perspex backing plate framed with aluminium. The complete assembly is designed as ...

Year Created:

2017

Subject:
Method:

Sculpture, Wood

Rarity:

One-of-a-kind Artwork

Size:

145 W x 69 H x 13 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

South Africa.

Need more information?

Need more information?

I am an electrical engineer and construction project manager by profession with a passion for creating abstract sculptures from dead wood, tree stumps and drift wood. I was born in Zimbabwe and moved to South Africa when I was 10 years old. It was in the small town of Nelspruit where I first discovered the intricate shapes and diverse forms of weathered and termite eaten tree stumps. My first collected pieces inspired me to explore and learn the various wood carving and finishing techniques. The ultimate objective being to reveal and highlight the wonderful colors, grain patterns and abstract shapes and forms hidden within the found local indigenous wood specimens. Due to the unique twisted and contorted shapes of the wood used, my work is inherently abstract in nature and form and each completed piece is therefore a one of a kind creation. My preferred method for shaping the sculpture is with hand chisels, which allows me to have a closer more intimate feel for the shape and form I wish to create. I resort to machinery only where it is required for the rapid removal of large quantities of wood or where the wood is too hard to be worked on by hand tools. I prefer traditional finishing techniques using various grades of sand paper culminating in a final polish of 1000 grit and 0000 wire wool. The sculpture is then treated with an oil based product and finally finished of with antique furniture wax. I strive for perfection where ever possible. I was fortunate to be selected in the top 100 for the 1999 ABSA Atelier Competition.

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