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Serbia
Sculpture, sand on Other
Size: 72.8 W x 72.8 H x 8.7 D in
Ships in a Crate
The Corn Sculpture Part of The Core Collection created in 2015. Inspired by Nikola Tesla's groundbreaking thoughts on nature and artificiality in organic union. The Corn sculpture implements this in its own structure - it is made out of sand and polyester, mixed homogeneously together, with no visible borders and frames. The idea was to recreate the image of encrypted formula within us, of vital force that is in accordance with nature and its phenomena and powers. Showing the strength of impalpability. Being bodily but fleeting.
Sculpture:sand on Other
Original:One-of-a-kind Artwork
Size:72.8 W x 72.8 H x 8.7 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Serbia.
Customs:Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.
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Serbia
The nature of core tells us a story of a compact and unified entirety. Yet, we base the mass of our knowledge on splitting and dissecting it, breaking it into small pieces, and we celebrate this as a grand victory of the human mind against the state of mere being. The Core gathers scattered particles, gives them color and strength of real materials – corpus, density and flow, carves their path, sculpts them from ground and wood. An old desire for making a perfect, self-sufficient mechanism breaks through – it becomes a self-awareness erasing wish, a thrive to return one to oneself. And if only a man could find a new conscience there, the one that could bridle, but not enslave, he could then rein the nature without ravaging it. The Core remains a secret - turning the gaze inside, converging the body to the focal point, surpassing the modern time occupations. The Core tells us a tale more convincing than scientific reports, it announces good the old news of inexplicable areas, of secrets returned. And as long as we can feel this and bring it to life, so it emerges in front of our eyes without any sacredness exiled – we’re safe, even in this last division of history.
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