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France
Sculpture, Bronze on Bronze
Size: 16.5 W x 13.4 H x 10.6 D in
Ships in a Box
déconstruction du visage Gilles Deleuze - Félix Guattari Mille Plateaux. Année zéro. La visagéité. « ... défaire le visage, ou, comme disait H. Miller (Tropique de capricorne), ne plus regarder les yeux ni dans les yeux, mais le traversant à la nage, fermer ses propres yeux, et faire de son corps un rayon de lumière qui se meut à une vitesse toujours plus grande? Bien sûr il faut toutes les ressources de l'art. Il faut toute une ligne d’écriture, toute une ligne de picturalité, toute une ligne de musicalité ... Car c'est par l'écriture qu'on devient animal, c'est par la couleur qu'on devient imperceptible, c'est par la musique qu'on devient dur et sans souvenir, à la fois animal et imperceptible: amoureux. Mais l'art n'est jamais une fin, il n'est qu'un instrument pour tracer les lignes de vie, c'est-à-dire tous ces devenirs réels, qui ne produisent pas simplement dans l'art, toutes ces fuites actives, qui ne consistent pas à fuir dans l'art, à se réfugier dans l'art. »
Sculpture:Bronze on Bronze
Original:One-of-a-kind Artwork
Size:16.5 W x 13.4 H x 10.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
Painting and sculpture. Two techniques that follow two parallel paths which feed on the different nature of work, givehim a double reading grid, almost a double meaning. It is not necessary for the spectator (viewer) to know one to understand another, the two combined give the work a clear, complete. Like two sides of the same personality explaintheir choices and trajectories. (...) Consider the work of Estela Currao, his painting as his sculpture, is to face, with clarity, the thousand torments of life, without feeling depressed by the exercise, this work is not disease or carries a pessimistic view of mankind, the work is pure, aesthetics, and considers that the beauties of the world are more likely in a ravaged face or a figure lost in the vastness that in an ordinary sunsets. Ludovic Duhamel
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